14世纪布拉格圣物箱十字架上的安东尼娅·米诺尔皇家肖像浮雕

IF 0.2 2区 历史学 0 ARCHAEOLOGY Journal of the British Archaeological Association Pub Date : 2021-05-07 DOI:10.1080/00681288.2021.1924984
I. Ciulisová, M. Henig
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引用次数: 1

摘要

本研究探索了一个很少被研究和重新解释的早期罗马帝国浮雕,描绘了小安东尼亚(公元前36年-公元37年),它被神圣罗马帝国皇帝卢森堡的查理四世(1316-78年)所拥有,他是一位古代宝石收藏家。据推测,这枚古老的浮雕是在他的命令下被镶嵌在一个华丽的黄金圣髑盒十字架上的,这是他在加冕后委托用来存放真十字架的遗物的。因此,在新的背景下,浮雕可以被看作是神圣的小安东尼娅;海伦娜,君士坦丁大帝的母亲,据说她发现了真十字架;或者圣凯瑟琳,查理的天堂护法这个十字架今天保存在布拉格圣维特大教堂的宝库中。
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An Imperial Portrait Cameo of Antonia Minor in a 14th-Century Reliquary Cross in Prague
The present study explores a little-studied and reinterpreted early Roman Imperial cameo depicting Antonia Minor (36 bc–ad 37), which came into the possession of the Holy Roman emperor, Charles IV of Luxembourg (1316–78), a collector of ancient gems. It was presumably by his order that the ancient cameo was set in a splendid gold reliquary cross which he commissioned after his imperial coronation to house relics of the True Cross. Thus, in the new setting, the cameo could be perceived as the divine Antonia Minor; Helena, the mother of Constantine the Great, who allegedly discovered the True Cross; or Saint Catherine, Charles’ heavenly protectress. The cross is today preserved in the Treasury of Saint Vitus Cathedral, Prague.
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CiteScore
0.30
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发文量
22
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