{"title":"重新审视转型:葡萄牙殖民帝国在卢索非洲电影中的终结(1974–2014)","authors":"Teresa Pinheiro, Robert Stock","doi":"10.1386/JAC.10.3.177_2","DOIUrl":null,"url":null,"abstract":"The 1974 Carnation Revolution set one of the greatest upheavals of LusoAfrican contemporary history in motion. It brought about the end of almost half a century of dictatorship and 500 years of colonial rule, which had become anachronistic and had been opposed by various independence movements since the 1950s. For Angola, Cape Verde, East Timor, Guinea-Bissau, Mozambique and São Tomé and Príncipe, 1974 meant the end of a long fight for independence, but also sparked civil war, massacres, displacement and migration. The process of coming to terms with these events is still incomplete. For Portugal, it meant coping with the loss of its empire, being confined to its European territory and accepting its own postcolonial condition.","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2018-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Transitions revisited: The end of the Portuguese colonial empire in Luso-African cinema (1974–2014)\",\"authors\":\"Teresa Pinheiro, Robert Stock\",\"doi\":\"10.1386/JAC.10.3.177_2\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The 1974 Carnation Revolution set one of the greatest upheavals of LusoAfrican contemporary history in motion. It brought about the end of almost half a century of dictatorship and 500 years of colonial rule, which had become anachronistic and had been opposed by various independence movements since the 1950s. For Angola, Cape Verde, East Timor, Guinea-Bissau, Mozambique and São Tomé and Príncipe, 1974 meant the end of a long fight for independence, but also sparked civil war, massacres, displacement and migration. The process of coming to terms with these events is still incomplete. For Portugal, it meant coping with the loss of its empire, being confined to its European territory and accepting its own postcolonial condition.\",\"PeriodicalId\":41188,\"journal\":{\"name\":\"Journal of African Cinemas\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2018-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cinemas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/JAC.10.3.177_2\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/JAC.10.3.177_2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Transitions revisited: The end of the Portuguese colonial empire in Luso-African cinema (1974–2014)
The 1974 Carnation Revolution set one of the greatest upheavals of LusoAfrican contemporary history in motion. It brought about the end of almost half a century of dictatorship and 500 years of colonial rule, which had become anachronistic and had been opposed by various independence movements since the 1950s. For Angola, Cape Verde, East Timor, Guinea-Bissau, Mozambique and São Tomé and Príncipe, 1974 meant the end of a long fight for independence, but also sparked civil war, massacres, displacement and migration. The process of coming to terms with these events is still incomplete. For Portugal, it meant coping with the loss of its empire, being confined to its European territory and accepting its own postcolonial condition.
期刊介绍:
The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.