{"title":"在安全灯光下成像保罗盖蒂博物馆的超感光照片收藏","authors":"Sarah K. Freeman, Stacey Rain Strickler","doi":"10.1080/01971360.2019.1651567","DOIUrl":null,"url":null,"abstract":"ABSTRACT Documentation of ultra light-sensitive photographic materials is difficult to achieve without exposure and added handling of prints in a typical imaging workflow. These prints are often physically fragile and can be chemically unstable. Permanent changes to the image can occur rapidly when exposed to light. The Paper Conservation and Imaging Services Departments at the Getty Museum established safe parameters for documentation of its most vulnerable photographs. Imaging under safelight conditions, which in essence converts the studio into a photographic darkroom, reduces ultraviolet (UV) and infrared (IR) radiation as well as visible light exposure during handling, but still allows for publication worthy image capture. True-to-life digital imaging makes these photographs accessible through the Museum's active digital platforms. An illustrated step-by-step summary of the workflow is provided.","PeriodicalId":17165,"journal":{"name":"Journal of the American Institute for Conservation","volume":"59 1","pages":"262 - 270"},"PeriodicalIF":0.7000,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01971360.2019.1651567","citationCount":"0","resultStr":"{\"title\":\"Imaging the J. Paul Getty Museum’s Collection of Ultra Light-sensitive Photographs under Safelight\",\"authors\":\"Sarah K. Freeman, Stacey Rain Strickler\",\"doi\":\"10.1080/01971360.2019.1651567\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Documentation of ultra light-sensitive photographic materials is difficult to achieve without exposure and added handling of prints in a typical imaging workflow. These prints are often physically fragile and can be chemically unstable. Permanent changes to the image can occur rapidly when exposed to light. The Paper Conservation and Imaging Services Departments at the Getty Museum established safe parameters for documentation of its most vulnerable photographs. Imaging under safelight conditions, which in essence converts the studio into a photographic darkroom, reduces ultraviolet (UV) and infrared (IR) radiation as well as visible light exposure during handling, but still allows for publication worthy image capture. True-to-life digital imaging makes these photographs accessible through the Museum's active digital platforms. An illustrated step-by-step summary of the workflow is provided.\",\"PeriodicalId\":17165,\"journal\":{\"name\":\"Journal of the American Institute for Conservation\",\"volume\":\"59 1\",\"pages\":\"262 - 270\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2020-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/01971360.2019.1651567\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of the American Institute for Conservation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01971360.2019.1651567\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of the American Institute for Conservation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01971360.2019.1651567","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Imaging the J. Paul Getty Museum’s Collection of Ultra Light-sensitive Photographs under Safelight
ABSTRACT Documentation of ultra light-sensitive photographic materials is difficult to achieve without exposure and added handling of prints in a typical imaging workflow. These prints are often physically fragile and can be chemically unstable. Permanent changes to the image can occur rapidly when exposed to light. The Paper Conservation and Imaging Services Departments at the Getty Museum established safe parameters for documentation of its most vulnerable photographs. Imaging under safelight conditions, which in essence converts the studio into a photographic darkroom, reduces ultraviolet (UV) and infrared (IR) radiation as well as visible light exposure during handling, but still allows for publication worthy image capture. True-to-life digital imaging makes these photographs accessible through the Museum's active digital platforms. An illustrated step-by-step summary of the workflow is provided.
期刊介绍:
The American Institute for Conservation is the largest conservation membership organization in the United States, and counts among its more than 3000 members the majority of professional conservators, conservation educators and conservation scientists worldwide. The Journal of the American Institute for Conservation (JAIC, or the Journal) is the primary vehicle for the publication of peer-reviewed technical studies, research papers, treatment case studies and ethics and standards discussions relating to the broad field of conservation and preservation of historic and cultural works. Subscribers to the JAIC include AIC members, both individuals and institutions, as well as major libraries and universities.