{"title":"马克思主义艺术批判在秘鲁的历程：从艺术品到塑料制品（1976–82）","authors":"Mijail Mitrovic Pease","doi":"10.1163/1569206x-20232095","DOIUrl":null,"url":null,"abstract":"\nThis essay explores the theory of the plastic object as it was developed by the Peruvian art critic Mirko Lauer in the 1970s and 1980s, in dialogue with other ideas related to the Teoría Social del Arte (Social Theory of Art) developed in Latin America. Focusing on the Peruvian cultural debate, the author reconstructs Lauer’s trajectory and emphasises his critique of ‘Marxist aesthetics’, and explores them as conceptual tools for discussing the horizon of contemporary art today.","PeriodicalId":46231,"journal":{"name":"Historical Materialism-Research in Critical Marxist Theory","volume":" ","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2023-03-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Passages of a Marxist Critique of Art in Peru: From Artworks to Plastic Objects (1976–82)\",\"authors\":\"Mijail Mitrovic Pease\",\"doi\":\"10.1163/1569206x-20232095\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis essay explores the theory of the plastic object as it was developed by the Peruvian art critic Mirko Lauer in the 1970s and 1980s, in dialogue with other ideas related to the Teoría Social del Arte (Social Theory of Art) developed in Latin America. Focusing on the Peruvian cultural debate, the author reconstructs Lauer’s trajectory and emphasises his critique of ‘Marxist aesthetics’, and explores them as conceptual tools for discussing the horizon of contemporary art today.\",\"PeriodicalId\":46231,\"journal\":{\"name\":\"Historical Materialism-Research in Critical Marxist Theory\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2023-03-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Historical Materialism-Research in Critical Marxist Theory\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1163/1569206x-20232095\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Historical Materialism-Research in Critical Marxist Theory","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1163/1569206x-20232095","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0
摘要
本文探讨了秘鲁艺术评论家米尔科·劳尔在20世纪70年代和80年代发展起来的塑性物体理论，并与拉丁美洲发展起来的社会艺术理论（Teoría Social del Arte）进行了对话。围绕秘鲁文化辩论，作者重建了劳尔的轨迹，强调了他对“马克思主义美学”的批判，并将其作为讨论当今当代艺术视野的概念工具进行了探索。
Passages of a Marxist Critique of Art in Peru: From Artworks to Plastic Objects (1976–82)
This essay explores the theory of the plastic object as it was developed by the Peruvian art critic Mirko Lauer in the 1970s and 1980s, in dialogue with other ideas related to the Teoría Social del Arte (Social Theory of Art) developed in Latin America. Focusing on the Peruvian cultural debate, the author reconstructs Lauer’s trajectory and emphasises his critique of ‘Marxist aesthetics’, and explores them as conceptual tools for discussing the horizon of contemporary art today.
期刊介绍：
Historical Materialism is an interdisciplinary journal dedicated to exploring and developing the critical and explanatory potential of Marxist theory. The journal started as a project at the London School of Economics from 1995 to 1998. The advisory editorial board comprises many leading Marxists, including Robert Brenner, Maurice Godelier, Michael Lebowitz, Justin Rosenberg, Ellen Meiksins Wood and others. Marxism has manifested itself in the late 1990s from the pages of the Financial Times to new work by Fredric Jameson, Terry Eagleton and David Harvey. Unburdened by pre-1989 ideological baggage, Historical Materialism stands at the edge of a vibrant intellectual current, publishing a new generation of Marxist thinkers and scholars.
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