《石的概念:中国美学与春夜春雨》(2004)

IF 0.4 2区 艺术学 0 MUSIC Music Theory Online Pub Date : 2020-08-01 DOI:10.30535/MTO.26.3.11
N. Rao
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引用次数: 2

摘要

本文运用中国美学、音乐分析和北美理论的概念框架,对陈毅的室内乐合奏《春夜快乐雨》(2004)进行分析。作为分析作品(包括杜甫的诗和音乐作品)的一个框架,它提出了诗的概念,可以描述为“动态配置”或“驱动过程的概率和倾向”。文章最后讨论了文化情境分析的相关问题。DOI:10.30535/mto.26.3.0第26卷第3期,2020年8月版权所有©2020音乐理论学会
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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The Concept of Shi: Chinese Aesthetics and Happy Rain on a Spring Night (2004)
The article brings a conceptual framework of Chinese aesthetics, music analysis, and theory developed in North America to bear on the analysis of Chen Yi’s chamber ensemble Happy Rain on a Spring Night (2004). As a framework to analyze the work (both the poem by Du Fu and the music composition), it proposes the concept of shi, which can be described as “dynamic configuration” or “the probability and propensity that drive the process.” The end of the article discusses issues related to culturally situated analysis. DOI: 10.30535/mto.26.3.0 Volume 26, Number 3, August 2020 Copyright © 2020 Society for Music Theory
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来源期刊
CiteScore
1.70
自引率
25.00%
发文量
26
审稿时长
42 weeks
期刊介绍: Music Theory Online is a journal of criticism, commentary, research and scholarship in music theory, music analysis, and related disciplines. The refereed open-access electronic journal of the Society for Music Theory, MTO has been in continuous publication since 1993. New issues are published four times per year and include articles, reviews, commentaries, and analytical essays. In addition, MTO publishes a list of job opportunities and abstracts of recently completed dissertations.
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