Imprints of Indigenes and the Optics of Settlement: A Bifocal Reading of Summer on the Lakes and A Millimetre of Dust

Abstract This article is a comparative reading of Margaret Fuller’s Summer on the Lakes, in 1843 (1844) and Julia Martin’s A Millimetre of Dust: Visiting Ancestral Sites (2008), travelogues that explore erstwhile frontier zones in view of a changing social landscape inflected with the rhetoric of democracy. The comparison is based on the thematic parallels between literature from the American Renaissance and post-apartheid South Africa in which the landscape is portrayed in metonymic relation to the nation. Drawing on the field of world literature and the notion that texts might undergo transformation in the way they are interpreted due to their movement across space and time, the article employs a ‘bifocal’ lens that produces a contrapuntal engagement between mid-nineteenth century America and post-apartheid South Africa.