“灵魂的回声”:俄勒冈州福音西班牙语拉丁裔教堂的崇拜音乐

Q2 Arts and Humanities Ecclesial Practices Pub Date : 2020-12-16 DOI:10.1163/22144471-bja10019
Deborah L. Berhó
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引用次数: 2

摘要

尽管快速增长的美国拉丁裔人口中大多数是罗马天主教徒,但新教徒的比例也在不断增加——据一些人计算,他们现在在美国有1000万人。尽管有了这一显著增长,但拉丁裔新教教堂的研究仍然不足,尤其是礼拜仪式中的音乐。一些拉丁裔神学家批评音乐是外来的,是教会中新殖民主义的一种形式,而不是本土的崇拜表达。然而,这些说法与这些会众实际使用的音乐并不一致。这项对俄勒冈州25个西班牙语新教教堂的仔细记录的研究表明,虽然礼拜中使用的音乐可能是由非拉丁裔人创作和强加的,但现在已经不是这样了,双音乐性是常态,反映了拉丁裔新教教会的散居和代理。
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An “Echo in the Soul”: Worship Music in Evangelical Spanish-Language Latino Churches of Oregon
While a majority of the fast-growing U.S. Latino population is Roman Catholic, a significant and growing percentage is Protestant – some calculate that they now number 10 million in the U.S. Despite this significant growth, Latino Protestant churches remain understudied, particularly the music in worship services. Several Latino theologians criticize the music as being of foreign extraction, a form of neocolonialism in the church, not an autochthonous expression of worship. However, these claims do not align with music actually being used in these congregations. This carefully documented study of 25 Spanish language Protestant churches in Oregon reveals that, while music used in worship at one time may have been created and imposed by non-Latinos, this is no longer the case, and bi-musicality is the norm, reflecting the diaspora and agency of the Latino Protestant church.
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来源期刊
Ecclesial Practices
Ecclesial Practices Arts and Humanities-Religious Studies
CiteScore
0.60
自引率
0.00%
发文量
12
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