拥抱距离:连接的舞蹈

IF 0.2 3区 艺术学 0 THEATER CANADIAN THEATRE REVIEW Pub Date : 2022-04-01 DOI:10.3138/ctr.190.008
J. Esteban
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引用次数: 0

摘要

摘要:我看了一张我表演《自由拥抱》的照片,这是一个互动舞蹈装置,旨在在2020年夏天新冠肺炎大流行期间,在该市试图重新开放之际,激活特卡顿的利斯加公园。一年多后,随着疫苗的开发和对面对面聚会的限制/规定的取消,情况发生了很大变化。然而,在对新冠疫情第四波疫情日益担忧的情况下,我仍然不确定如何与他人建立联系。希望我能从自己的表现中重新发现一些见解,以缓解我的不确定性,我回到了这个形象。它捕捉到了我试图与观众分享拥抱的时刻——在我们和我们施加的物理距离的边界中,以亲密的方式与他们建立联系。然而,看着我表演的视觉表现,我感觉到我与舞蹈身体的体验以及它试图教给我的所有东西的距离。我希望与那场演出的姿态有一种具体的联系,引导我走向我们不确定的未来。谈到受访问问题和美学启发的残疾艺术实践,我发布了一种实践,通过这种实践,我们可以同时在内部休息,并在距离到访问连接的创造、导航和超越中挣扎。
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Embracing the Distance: Accessing Dances of Connection
Abstract:I look at an image of my performance of Free Hugs, an interactive dance installation that sought to activate Tkaronto’s Lisgar Park amid the city’s attempts to reopen during the COVID-19 pandemic in the summer of 2020. More than a year later, a lot has changed with the development of vaccines and the lifting of restrictions/regulations for in-person gatherings. And yet I am still uncertain of how to connect with others amid growing concerns about the pandemic’s fourth wave. Hoping that I will rediscover some insight from my performance to relieve me of my uncertainty, I return to this image. It captures a moment of my attempt to share a hug with my audience—to connect with them in an intimate way amid the borders of physical distance imposed on us and by us. Looking at this visual representation of my performance, however, I feel my distance from the experience of my dancing body and all that it tries to teach me. I desire an embodied connection with the gestures of that performance to guide me forward into our uncertain future. Turning to disability arts practices inspired by questions and aesthetics of access, I release a practice through which we might simultaneously rest within and wrestle through the creation, navigation, and transcendence of distance to access connection.
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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