中国乡村文化旅游短视频传播研究

LIN Guangyun
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引用次数: 0

摘要

自旅游凝视时代以来,影视作品在塑造文化旅游形象的过程中,通过镜头和观众的关注,影响着一个地方的景观形成和文化传播。随着媒体的进化和技术的发展,数字时代的中国乡村文化旅游短视频超越了凝视,而是在实时的多向互动中直接生成了一个地方的景观和文化。中国乡村文化旅游短视频以双重感官融合的动员模式,成为吸引用户超越客观理性取向参与情感传播和旅游实践的地理媒介。它们吸引用户从媒体本地化的图像呈现中融入现实世界中的再本地化体验,并从虚拟的感官存在中触发具体化的实践。通过数字媒体与现实无处不在的互动性,短视频展示了符号现实对现实的建设性和生成性力量。在技术的帮助下,短视频通过将实体旅游预先存储在可调用空间和拓扑时间中,将当地文化传播到世界各地。短视频通过关系逻辑网络的自由转换,从柏拉图的洞穴、模仿的环境过渡到现实世界,从无时间的序列中唤醒对中国节气的感知,构建线上线下的旅游文化。
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The Research on the Communication of the Short Videos on Rural Cultural Tourism in China
Since the era of tourism gaze, in the process of shaping cultural tourism images, film and television works have influenced the landscape formation and cultural transmission of a place through the lens and the attention of the audiences. With the evolution of media and the development of technology, the short videos on rural cultural tourism in China in the digital era go beyond gazing but directly generate the landscape and culture of a place in the real-time multi-directional interaction. With the mobilization mode of dual sensory integration, the short videos on rural cultural tourism in China become geographic media attracting users to participate in emotional communication and tourism practice beyond the objective rational orientation. They attract users to integrate re-localization experiences in real world from the media localization image presentation, and trigger embodied practice from virtual sensory presence. By the ubiquitous interactive nature of digital media and reality, the short videos demonstrate the constructive and generative power of symbolic reality for reality. With the help of technology, the short videos spread local culture all over the world via pre-storing the physical tourism in the callable space and topological time. Through the free transduction of relational logical networks, the short videos make the transition from Plato’s cave, the mimicry environment into the real world, to awaken perception of Chinese solar terms from the time-less sequence, and construct tourism and culture, online, and offline.
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