交响乐杂记的颂词:第一斯拉夫文集的帝国赞助

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Studia Ceranea Pub Date : 2021-12-30 DOI:10.18778/2084-140x.11.28
Marcello Garzaniti
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引用次数: 0

摘要

本文不仅从10世纪初保加利亚第一帝国的文化背景出发,以及上个世纪七八十年代的历史情况和文学创作,当时以Soterios的名字命名的《杂记》的希腊原作是在君士坦丁堡构思的。这篇颂词有助于我们更好地理解在西蒙时代创作这本选集的斯拉夫版本的原因。在君士坦丁堡的环境中,这本选集被认为是从事俗人教育的僧侣和牧师所需要的一种适当的工具,特别关注正统教义的基础。在新的环境中,这一举措是由沙皇西蒙采取的,他凭借自己的神学训练,在占领王位期间发挥了决定性作用,负责直接指导保加利亚贵族,充分利用斯拉夫语中一种非常有用的工具。
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The Eulogy of Symeonic Miscellany: the Imperial Patronage of the First Slavic Anthology
The essay proposes an interpretation of the eulogy of Symeon’s Miscellany considering not only the cultural context of the First Bulgarian Empire at the beginning of the tenth century, but also the historical situation and the literary production of the seventies and eighties of the previous century when the Greek original of the Miscellany known by the name of the Soterios was conceived in Constantinople. This eulogy helps us to better understand the reasons that led to the creation of the Slavic version of this anthology at the time of Symeon. In the Constantinopolitan environment, this anthology was conceived as an adequate tool of the kind required by monks and priests engaged in the education of the laity, with particular focus on the foundations of orthodox doctrine. In the new environment the initiative was taken by Tsar Symeon, who – on the strength of his theological training – assumed a decisive role while occupying the throne by taking responsibility for directly instructing the Bulgarian aristocracy, fully exploiting a tool in the Slavic language that would have been very useful.
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来源期刊
Studia Ceranea
Studia Ceranea HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
10
审稿时长
22 weeks
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