{"title":"看到和标记图片中的东西","authors":"Michael Hancher","doi":"10.1525/rep.2021.155.4.82","DOIUrl":null,"url":null,"abstract":"Despite modernist precepts, digital projects that use crowdsourcing to annotate large collections of images of paintings and book illustrations with “tags” have encouraged viewers to see things in pictures and to say what they see. Both personal image tagging (ekphrastic in function) and automatic image tagging challenge in different ways the proposition that a painting as such will elide recognizable content.","PeriodicalId":47353,"journal":{"name":"Representations","volume":" ","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2021-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Seeing and Tagging Things in Pictures\",\"authors\":\"Michael Hancher\",\"doi\":\"10.1525/rep.2021.155.4.82\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Despite modernist precepts, digital projects that use crowdsourcing to annotate large collections of images of paintings and book illustrations with “tags” have encouraged viewers to see things in pictures and to say what they see. Both personal image tagging (ekphrastic in function) and automatic image tagging challenge in different ways the proposition that a painting as such will elide recognizable content.\",\"PeriodicalId\":47353,\"journal\":{\"name\":\"Representations\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2021-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Representations\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1525/rep.2021.155.4.82\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Representations","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1525/rep.2021.155.4.82","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Despite modernist precepts, digital projects that use crowdsourcing to annotate large collections of images of paintings and book illustrations with “tags” have encouraged viewers to see things in pictures and to say what they see. Both personal image tagging (ekphrastic in function) and automatic image tagging challenge in different ways the proposition that a painting as such will elide recognizable content.
期刊介绍：
An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture
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