The Little Acorns–这是一次触摸即用的体验

IF 0.4 3区 艺术学 0 DANCE Theatre Dance and Performance Training Pub Date : 2023-04-03 DOI:10.1080/19443927.2023.2189880
Saranya Devan
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引用次数: 0

摘要

想到以上这句话,我冒险去南非德班查茨沃斯的雅利安慈善之家(ABH)的巴伊·兰巴罗斯儿童之家与孩子们合作,构思、制作和导演一部名为《小橡子》的戏剧。该剧于2020年7月18日在脸书直播活动中首播,当时该剧在南非首都班登剧院上演,被宣布为曼德拉日。在2020年4月至7月新冠肺炎疫情最严重的时候,我在Bhai Rambaros儿童之家工作时,我知道有96名3岁至18岁的贫困儿童在福利机构得到照顾。南非处于政府实施的严格的5级封锁之下,由福利工作者和家庭母亲照顾的儿童将无法接待访客或离开场所。触摸饥饿是新冠肺炎保持身体距离的结果。新冠疫情夺走了人与人之间的联系。握手突然停止,取而代之的是手肘的摩擦。每一种形式的人类接触都会引发怀疑。我选择在这个空间工作,因为我知道,由于疫情,孩子们正在经历更多的压力和创伤,他们需要一些东西来分散他们的注意力。之前,我使用应用戏剧和舞蹈技巧与孩子们合作了几个星期,我决定创作一部戏剧——因此,《小橡子》的种子就播下了。我的目的是在那些可能没有社会和物质特权的孩子中展示我们的巨大天赋。《小橡子》将是一部戏剧作品,追溯纳尔逊·曼德拉的一生,从一个乡村牧童到罗本岛囚犯,最终成为民主南非的第一任总统。
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The Little Acorns – it was a touch and go experience
With the above quote ringing in my mind, I ventured out to work with the children at the Bhai Rambharos Children’s Home at the Aryan Benevolent Home (ABH), in Chatsworth, Durban, South Africa, to conceptualize, produce and direct a play titled The Little Acorns. The play premiered as a Facebook live event on 18 July 2020, declared as Mandela Day in South Africa when the production was staged at the Pattundeen Theatre at the ABH. When working at the Bhai Rambharos Children’s Home at the height of the COVID-19 pandemic from April–July 2020, I was aware that 96 destitute children ranging in age from 3 to 18 years were being cared for at the welfare facility. South Africa was under a strict government-imposed Level 5 lockdown and the children who were being taken care of by the welfare workers and house mothers would not be able to receive visitors or leave the premises. Touch starvation was a consequence of COVID-19's physical distancing. The pandemic took away the human touch. Handshakes were abruptly stopped and replaced by the rubbing of elbows. Every form of human touch triggered suspicion. I chose to work in the space knowing that the children were going through a lot more stress and trauma due to the pandemic and that they needed something to distract them. Having previously worked with the children for few weeks using applied theatre and dance techniques, I decided to work on a play– and thus the seed for The Little Acorns was planted. It was my intention to showcase the immense talent that we have among children who may not have been blessed with social and material privileges. The Little Acorns was to be a theatre production that traces the life of Nelson Mandela, from a village herd boy, to a Robben Island prisoner and eventually to becoming the first president of democratic South Africa.
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