{"title":"噩梦国度:约翰·梅特卡夫的《坏境》","authors":"N. Freeman","doi":"10.3366/gothic.2023.0153","DOIUrl":null,"url":null,"abstract":"‘In the Nightmare Country’ offers a detailed analysis of John Metcalfe’s short story, ‘The Bad Lands’ (1920), arguing that it represents an amalgam of Gothic and modernist devices and preoccupations that has significant implications for the development of twentieth-century British Gothic writing. The article considers how Metcalfe's story was shaped by Joseph Conrad and D. H. Lawrence on one hand and Freudian psychoanalysis and wartime experiences on the other. It also examines the important role played by the anthologist, Dorothy L. Sayers, in the popularisation of emerging forms of psychological gothic during the 1930s.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"In the Nightmare Country: John Metcalfe’s ‘The Bad Lands’\",\"authors\":\"N. Freeman\",\"doi\":\"10.3366/gothic.2023.0153\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"‘In the Nightmare Country’ offers a detailed analysis of John Metcalfe’s short story, ‘The Bad Lands’ (1920), arguing that it represents an amalgam of Gothic and modernist devices and preoccupations that has significant implications for the development of twentieth-century British Gothic writing. The article considers how Metcalfe's story was shaped by Joseph Conrad and D. H. Lawrence on one hand and Freudian psychoanalysis and wartime experiences on the other. It also examines the important role played by the anthologist, Dorothy L. Sayers, in the popularisation of emerging forms of psychological gothic during the 1930s.\",\"PeriodicalId\":42443,\"journal\":{\"name\":\"Gothic Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gothic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/gothic.2023.0153\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gothic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/gothic.2023.0153","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
In the Nightmare Country: John Metcalfe’s ‘The Bad Lands’
‘In the Nightmare Country’ offers a detailed analysis of John Metcalfe’s short story, ‘The Bad Lands’ (1920), arguing that it represents an amalgam of Gothic and modernist devices and preoccupations that has significant implications for the development of twentieth-century British Gothic writing. The article considers how Metcalfe's story was shaped by Joseph Conrad and D. H. Lawrence on one hand and Freudian psychoanalysis and wartime experiences on the other. It also examines the important role played by the anthologist, Dorothy L. Sayers, in the popularisation of emerging forms of psychological gothic during the 1930s.
期刊介绍:
The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.