{"title":"“为什么我要欢迎悲伤这样的客人[?]”:莎士比亚笔下理查二世的住宿和搬迁","authors":"Hiscock Andrew","doi":"10.1177/01847678221099975","DOIUrl":null,"url":null,"abstract":"This article discusses the early modern cultural debate surrounding hospitality and inhospitality in the light of contemporaneous responses to history and the history play. The dominant focus of this discussion is Shakespeare's Richard II and the ways in which it seeks to interrogate and to critique early modern expectations of welcoming by inverting them repeatedly as the dramatic intrigue unfolds. Throughout this article, reference is made to cultural debate on the subject of (in)hospitality in the contemporary, post-World War II period.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"108 1","pages":"91 - 106"},"PeriodicalIF":0.2000,"publicationDate":"2022-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘Why I should welcome such a guest as grief [?]’: Lodging and dislodging in Shakespeare's Richard II\",\"authors\":\"Hiscock Andrew\",\"doi\":\"10.1177/01847678221099975\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article discusses the early modern cultural debate surrounding hospitality and inhospitality in the light of contemporaneous responses to history and the history play. The dominant focus of this discussion is Shakespeare's Richard II and the ways in which it seeks to interrogate and to critique early modern expectations of welcoming by inverting them repeatedly as the dramatic intrigue unfolds. Throughout this article, reference is made to cultural debate on the subject of (in)hospitality in the contemporary, post-World War II period.\",\"PeriodicalId\":42648,\"journal\":{\"name\":\"CAHIERS ELISABETHAINS\",\"volume\":\"108 1\",\"pages\":\"91 - 106\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-05-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAHIERS ELISABETHAINS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/01847678221099975\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAHIERS ELISABETHAINS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/01847678221099975","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
‘Why I should welcome such a guest as grief [?]’: Lodging and dislodging in Shakespeare's Richard II
This article discusses the early modern cultural debate surrounding hospitality and inhospitality in the light of contemporaneous responses to history and the history play. The dominant focus of this discussion is Shakespeare's Richard II and the ways in which it seeks to interrogate and to critique early modern expectations of welcoming by inverting them repeatedly as the dramatic intrigue unfolds. Throughout this article, reference is made to cultural debate on the subject of (in)hospitality in the contemporary, post-World War II period.