营销故事:带着信仰写作和阅读在Elif Shafak小说中寻找精神

IF 0.2 3区 文学 0 LITERATURE Journal of Postcolonial Writing Pub Date : 2023-05-04 DOI:10.1080/17449855.2023.2215487
Rachel Gregory Fox
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引用次数: 0

摘要

摘要本文关注的是Elif Shafak小说在全球文学市场上的传播,考察了世俗和宗教读者对英语和土耳其语的反应。以沙法克2010年的小说《爱的四十条规则》和她2016年的作品《夏娃的三个女儿》为个案研究,并参考媒体和读者对这些书的评论,以及作者的公开评论,评估了沙法克构建的与精神和信仰的阅读关系,因为这些关系被她的小说读者和小说读者所效仿。在这样做的过程中,它询问Shafak在一个将书籍视为故事和产品的市场中伪造了什么阅读方法。在迫切捍卫世界主义理想的情况下,在跨洲的市场和大都市中,本文认为沙法克相信阅读过程可以培养欢乐的潜力。
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Marketing stories: Writing with faith and reading in search of spirituality in Elif Shafak’s fiction
ABSTRACT This article focuses on the reception of Elif Shafak’s fiction as it circulates within the global literary marketplace, examining the responses of secular and religious readerships in English and Turkish. Taking Shafak’s 2010 novel, The Forty Rules of Love, and her 2016 work, Three Daughters of Eve, as case studies, and referring to media and reader reviews of these books, and public commentary by the author, it evaluates the readerly relationships with spirituality and faith that Shafak constructs as they are emulated by both the readers in her novels and the readers of her novels. In doing so, it asks what reading methodologies Shafak forges in a marketplace that situates books as both stories and products. In the urgent defence of a cosmopolitan ideal, and amidst transcontinental markets and metropoles, this article argues that Shafak puts faith in the potential for conviviality to be fostered by the process of reading.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
73
期刊介绍: The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.
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