{"title":"双向镜：在缩放范围内跳舞","authors":"S. Murphy","doi":"10.18061/IJSD.V12I0.7884","DOIUrl":null,"url":null,"abstract":"Dan Graham's work with mirrors and installation from the 1970s provides an unexpected launchpad for understanding the structures underlying perception in Zoom interfaces. The article explores the intricacies of Graham's two-way mirrors as a means to articulate perceptual experiences of dancing in the Zoomosphere, with examples from teaching, choreographing and performing via Zoom during Covid 19 isolation conditions.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-07-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Two-way Mirrors: Dancing in the Zoomosphere\",\"authors\":\"S. Murphy\",\"doi\":\"10.18061/IJSD.V12I0.7884\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Dan Graham's work with mirrors and installation from the 1970s provides an unexpected launchpad for understanding the structures underlying perception in Zoom interfaces. The article explores the intricacies of Graham's two-way mirrors as a means to articulate perceptual experiences of dancing in the Zoomosphere, with examples from teaching, choreographing and performing via Zoom during Covid 19 isolation conditions.\",\"PeriodicalId\":33311,\"journal\":{\"name\":\"The International Journal of Screendance\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-07-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The International Journal of Screendance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18061/IJSD.V12I0.7884\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The International Journal of Screendance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/IJSD.V12I0.7884","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
摘要
Dan Graham在20世纪70年代对镜子和装置的研究为理解Zoom界面中感知的结构提供了一个意想不到的跳板。这篇文章探讨了格雷厄姆的双向镜子的复杂性，将其作为一种表达Zoomsphere舞蹈感知体验的手段，并以新冠肺炎19隔离条件下通过Zoom进行教学、编排和表演为例。
Dan Graham's work with mirrors and installation from the 1970s provides an unexpected launchpad for understanding the structures underlying perception in Zoom interfaces. The article explores the intricacies of Graham's two-way mirrors as a means to articulate perceptual experiences of dancing in the Zoomosphere, with examples from teaching, choreographing and performing via Zoom during Covid 19 isolation conditions.
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