ASH:纪念2021年开普敦大学图书馆火灾

IF 0.3 3区 哲学 0 RELIGION Material Religion Pub Date : 2021-10-20 DOI:10.1080/17432200.2021.1991117
D. Jethro
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Firefighters directed hoses in a vain attempt to douse flames that roaringly consumed decadesold invaluable collections of books, manuscripts, and archival records. The UCT intellectual community reeled in shock at the loss of the library and archive. Images of the smoky, blackened ruins of the Jagger Library and its African Studies collections appeared in the media the following day (Figure 1). Real and symbolic fires have flickered in the background of an extended period of public debate about higher education and institutional change in South Africa that was often fueled by struggles over UCT’s material cultural heritage, such as with Rhodes Must Fall (see Makhubu 2020). It was therefore a surprising, ironic tragedy in many ways. Unclear sentiments of archival grief, loss, and sadness were cluttered up among material ruins that now also demanded urgent salvage and recovery. In this essay I profile the Salvage and Recovery Project (SRP) implemented by UCT Libraries as a disaster management response. It is vividly depicted in photographs taken by Lerato Maduna, senior photographer in the UCT Communications and Marketing Department, and Health Sciences librarian Dilshaad Brey. Memorialization appears central to working through the layered chaos of ruined archival remains and feelings of loss during that time. Memorialization of disasters like this often follows a pattern of ordered ritual performance directed to recon with tragedy, salvage and sanctify material remains marked by it, and consecrate the site for remembrance by the community of the bereaved. Memorials accompanied the salvage at UCT, but to some extent also encompassed it. It initiated the symbolic process of reordering complicated relationships between notions of archive, cultures of knowledge, race, and access to higher education that the Jagger Library had symbolically contained. 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引用次数: 0

摘要

2021年4月18日星期日,一场野火从魔鬼峰的山坡上蔓延到开普敦大学(UCT)上校区。建筑物和学生住房面临风险。学生和工作人员迅速撤离,幸运的是避免了死亡或重伤。消防队员迅速赶到现场。局势迅速升级。通过社交媒体和在线聊天平台,人们越来越担心UCT图书馆的安全。不久,图书馆大楼确实着火的消息开始传开。下午晚些时候,第一段现场视频开始流传,显示了最糟糕的情况:贾格尔阅览室的窗户里冒出了厚厚的橙色火舌。消防队员们徒劳地指挥软管扑灭大火,大火吞噬了数十年来珍贵的书籍、手稿和档案记录。UCT知识界对图书馆和档案馆的损失感到震惊。第二天,贾格尔图书馆及其非洲研究收藏的烟熏黑废墟的图像出现在媒体上(图1)。在关于南非高等教育和制度变革的长期公众辩论的背景下,真实和象征性的火焰一直在闪烁,而这场辩论往往是由对UCT物质文化遗产的斗争所推动的,比如《罗德斯必须倒下》(见Makhubu 2020)。因此,从许多方面来说,这是一场令人惊讶的、具有讽刺意味的悲剧。档案中的悲伤、失落和悲伤情绪混杂在物质废墟中,现在也需要紧急抢救和恢复。在这篇文章中,我介绍了由UCT图书馆实施的救助和恢复项目(SRP),作为灾害管理的回应。UCT传播与营销部高级摄影师Lerato Maduna和健康科学图书管理员Dilshaad Brey拍摄的照片生动地描绘了这一点。记忆似乎是处理被毁坏的档案遗迹和那段时间的失落感的核心。对此类灾难的记忆通常遵循一种有序的仪式表演模式,旨在与悲剧重新联系,抢救并神圣化以悲剧为标志的物质遗迹,并将遗址神圣化,供遇难者社区纪念。记忆伴随着在UCT的抢救,但在某种程度上也包含了它。它启动了一个象征性的过程,重新排序贾格尔图书馆象征性地包含的档案观念、知识文化、种族和接受高等教育的机会之间的复杂关系。因此,2021年UCT图书馆SRP是一个材料回收过程,也涉及遗产和神圣政治。
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ASH: Memorializing the 2021 University of Cape Town Library Fire
On Sunday 18 April 2021 a wild fire rushed down from the slopes of Devils Peak into the grounds of the University of Cape Town (UCT) upper campus. Buildings and student housing were at risk. Students and staff were quickly evacuated, fortunately evading fatalities or serious injury. Firefighters quickly arrived on scene. The situation escalated fast. Via social media and chat platforms online, there was increasing concern about the security of UCT Libraries. Soon news began filtering in that library buildings had indeed caught fire. The first onsite video footage began circulating in the late afternoon, showing the worst: thick orange tongues of fire guzzled out of the windows of the Jagger Reading Room. Firefighters directed hoses in a vain attempt to douse flames that roaringly consumed decadesold invaluable collections of books, manuscripts, and archival records. The UCT intellectual community reeled in shock at the loss of the library and archive. Images of the smoky, blackened ruins of the Jagger Library and its African Studies collections appeared in the media the following day (Figure 1). Real and symbolic fires have flickered in the background of an extended period of public debate about higher education and institutional change in South Africa that was often fueled by struggles over UCT’s material cultural heritage, such as with Rhodes Must Fall (see Makhubu 2020). It was therefore a surprising, ironic tragedy in many ways. Unclear sentiments of archival grief, loss, and sadness were cluttered up among material ruins that now also demanded urgent salvage and recovery. In this essay I profile the Salvage and Recovery Project (SRP) implemented by UCT Libraries as a disaster management response. It is vividly depicted in photographs taken by Lerato Maduna, senior photographer in the UCT Communications and Marketing Department, and Health Sciences librarian Dilshaad Brey. Memorialization appears central to working through the layered chaos of ruined archival remains and feelings of loss during that time. Memorialization of disasters like this often follows a pattern of ordered ritual performance directed to recon with tragedy, salvage and sanctify material remains marked by it, and consecrate the site for remembrance by the community of the bereaved. Memorials accompanied the salvage at UCT, but to some extent also encompassed it. It initiated the symbolic process of reordering complicated relationships between notions of archive, cultures of knowledge, race, and access to higher education that the Jagger Library had symbolically contained. The 2021 UCT Library SRP was therefore a process of material recovery that also involved a politics of heritage and the sacred.
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Material Religion
Material Religion RELIGION-
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