{"title":"开放空间和过度消费。关于玛丽莎·沃尔皮1945年出版的《艺术》一书。美国","authors":"Silvia Bottinelli","doi":"10.1080/17561310.2022.2087997","DOIUrl":null,"url":null,"abstract":"Abstract This essay presents an analysis of the book Arte dopo il 1945. U.S.A (Art after 1945. U.S.A), published by Italian art historian and critic Marisa Volpi in 1969, after traveling to the United States of America in the mid-1960s. While Volpi’s perspective is imbued with Eurocentric art genealogies, her direct observation of US contexts and encounter with artists and institutional figures in North America shape aspects of her narrative. Volpi sees contemporary US art as a response to the vast landscapes, urban materials, and excessive consumerism of US spaces and society. Volpi's introductory chapter and her chapter “Pop Art” from her book are available in English translation in this volume.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"14 1","pages":"173 - 184"},"PeriodicalIF":0.0000,"publicationDate":"2022-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Open Spaces and Consumerist Excess. On Marisa Volpi’s book Arte dopo il 1945. U.S.A.\",\"authors\":\"Silvia Bottinelli\",\"doi\":\"10.1080/17561310.2022.2087997\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This essay presents an analysis of the book Arte dopo il 1945. U.S.A (Art after 1945. U.S.A), published by Italian art historian and critic Marisa Volpi in 1969, after traveling to the United States of America in the mid-1960s. While Volpi’s perspective is imbued with Eurocentric art genealogies, her direct observation of US contexts and encounter with artists and institutional figures in North America shape aspects of her narrative. Volpi sees contemporary US art as a response to the vast landscapes, urban materials, and excessive consumerism of US spaces and society. Volpi's introductory chapter and her chapter “Pop Art” from her book are available in English translation in this volume.\",\"PeriodicalId\":53629,\"journal\":{\"name\":\"Art in Translation\",\"volume\":\"14 1\",\"pages\":\"173 - 184\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-07-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art in Translation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17561310.2022.2087997\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art in Translation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17561310.2022.2087997","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Open Spaces and Consumerist Excess. On Marisa Volpi’s book Arte dopo il 1945. U.S.A.
Abstract This essay presents an analysis of the book Arte dopo il 1945. U.S.A (Art after 1945. U.S.A), published by Italian art historian and critic Marisa Volpi in 1969, after traveling to the United States of America in the mid-1960s. While Volpi’s perspective is imbued with Eurocentric art genealogies, her direct observation of US contexts and encounter with artists and institutional figures in North America shape aspects of her narrative. Volpi sees contemporary US art as a response to the vast landscapes, urban materials, and excessive consumerism of US spaces and society. Volpi's introductory chapter and her chapter “Pop Art” from her book are available in English translation in this volume.
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