不可调和的二元对立：韩国舞蹈遗产的保护与（再）创造

IF 0.1 3区艺术学 0 DANCE DANCE CHRONICLE Pub Date : 2023-01-02 DOI:10.1080/01472526.2022.2154504

Sue-in Kim

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引用次数: 0

摘要

本研究探讨了围绕非物质文化遗产政策在韩国传统舞蹈中应用的争议。在应对关于非物质文化遗产的新争论时，我关注的是韩国舞者如何看待自己的实践。根据从业者的观点，我认为围绕韩国非物质文化遗产制度的冲突源于集体所有权和知识产权的法律框架的对比。非物质文化遗产框架内的紧张关系使韩国传统舞蹈专业人士在文化保护和艺术创新之间的谈判中扮演着具有挑战性的角色。

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The Unreconciled Dichotomy: Preservation and (Re)Creation of Dance Heritage in South Korea

abstract This study explores controversies surrounding the application of intangible cultural heritage (ICH) policies to Korean traditional dance. In grappling with the emergent debates about ICH, I focus on how Korean dancers conceive of their own practices. Informed by the perspectives of practitioners, I argue that conflicts surrounding the Korean ICH system stem from the contrasting legal frameworks of collective ownership and intellectual property rights. The tensions within the ICH framework put Korean traditional dance professionals in the challenging role of negotiating between cultural preservation and artistic innovation.

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DANCE CHRONICLE DANCE-

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期刊介绍： For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.

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