20世纪早期古典钢琴独奏作品音乐表演的情感与认知反应

IF 1.3 2区 心理学 0 MUSIC Music Perception Pub Date : 2021-02-01 DOI:10.1525/MP.2021.38.3.245
M. Broughton, Jessie Dimmick, R. Dean
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引用次数: 5

摘要

观众对音乐表演的有效参与涉及社会、认知和情感因素。我们研究了观察者的音乐专业知识和器乐运动专业知识对他们对斯克里亚宾和汉森以音频和视听格式演奏的复杂和陌生的古典钢琴作品的情感和认知反应的影响。观察者在观察表演的同时,不断给出他们的感觉情感(唤醒和效价)和动作理解反应。在每个摘录后对喜欢和熟悉程度进行评分。假设:视觉信息增强了观察者对动作的理解和好感度;受过音乐训练的观察者对动作的理解、喜爱和熟悉程度的评分高于非音乐人;观察者的感觉情感并没有因他们的音乐或运动专长而变化。与我们的假设相反:视觉信息对观察者的唤醒-感觉-情感反应只有轻微影响,而对效价没有影响;音乐家特定的器乐运动专业知识不会影响动作理解反应。我们还观察到行动理解和感觉-情感反应之间存在显著的负相关关系。音乐互动中的移情思想推动了这项研究;探讨了音乐表演中的移情框架。非音乐观众可能会通过多模式策略对具有挑战性的音乐表演敏感,以建立表演者-观察者的联系,并增加对表演的理解。
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Affective and Cognitive Responses to Musical Performances of Early 20th Century Classical Solo Piano Compositions
Effective audience engagement with musical performance involves social, cognitive and affective elements. We investigate the influence of observers’ musical expertise and instrumental motor expertise on their affective and cognitive responses to complex and unfamiliar classical piano performances of works by Scriabin and Hanson presented in audio and audio-visual formats. Observers gave their felt affect (arousal and valence) and their action understanding responses continuously while observing the performances. Liking and familiarity were rated after each excerpt. As hypothesized: visual information enhanced observers’ action understanding and liking ratings; observers with music training rated their action understanding, liking and familiarity higher than did nonmusicians; observers’ felt affect did not vary according to their musical or motor expertise. Contrary to our hypotheses: visual information had only a slight effect on observers’ arousal felt affect responses and none on valence; musicians’ specific instrumental motor expertise did not influence action understanding responses. We also observed a significant negative relationship between action understanding and felt affect responses. Ideas of empathy in musical interactions motivated the research; the empathy framework in relation to musical performance is discussed. Nonmusician audiences might be sensitized to challenging musical performances through multimodal strategies to build the performer-observer connection and increase understanding of performance.
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来源期刊
Music Perception
Music Perception Multiple-
CiteScore
3.70
自引率
4.30%
发文量
22
期刊介绍: Music Perception charts the ongoing scholarly discussion and study of musical phenomena. Publishing original empirical and theoretical papers, methodological articles and critical reviews from renowned scientists and musicians, Music Perception is a repository of insightful research. The broad range of disciplines covered in the journal includes: •Psychology •Psychophysics •Linguistics •Neurology •Neurophysiology •Artificial intelligence •Computer technology •Physical and architectural acoustics •Music theory
期刊最新文献
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