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引用次数: 0
摘要
《Naomi Long Madgett安魂曲》以Madgett的葬礼开场,用诗歌和诗意的散文表达。《安魂曲》捕捉了这位美国文化中最富有成效和影响力的文学人物在最后几周的重要时刻,因为它反映了她作为诗人和出版商的遗产。玛格特在林肯大学读书时认识了兰斯顿·休斯。他对她的诗歌印象深刻,在读诗时读了她的一首诗,并继续指导她的文学发展。这篇文章考虑了这对玛格特职业生涯的影响,并对她最著名的诗歌进行了批判性的讨论,以及在她去世前几个月出版的第九本诗集。著名作家的评论,特别是底特律获奖剧作家和诗人比尔·哈里斯的评论,捕捉到了她的作品作为临别礼物的深刻性。这篇文章还重申了她在黑人艺术运动期间作为莲花出版社创始编辑的创造性创作,当时黑人作家的出版机会有限。与达德利·兰德尔的布罗德赛德出版社(Broadside Press)合作,马吉特的莲花出版社(Lotus Press)使底特律成为20世纪60年代和70年代黑人诗歌创作最多产的地方。
“Requiem for Naomi Long Madgett” opens with Madgett’s funeral, expressed in poetry in poetic prose. “Requiem” captures prominent moments in the last weeks of one of the most productive and influential literary figures in American culture, as it reflects on her legacy as a poet and a publisher. Madgett met Langston Hughes when she was a student at Lincoln University. He was so impressed with her poetry that he read one of her poems during his poetry reading, and he continued to mentor her literary development. The article considers this impact on Madgett’s career and contains a critical discussion of her most prominent poems as well as the release of her ninth book of poetry a few months before she died. Comments from prominent writers, in particular Detroit’s award-winning playwright and poet Bill Harris, capture the profundity of her work as a parting gift. The article also reiterates her creative production as founding editor of Lotus Press during the Black Arts Movement, a time when publishing opportunities were limited for Black writers. In tandem with Dudley Randall’s Broadside Press, Madgett’s Lotus Press made Detroit the most productive site for Black poetry production during the 1960s and ’70s.