多孔体:在传统舞蹈训练中培养延展性

Louis Laberge-Côté
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引用次数: 3

摘要

当代舞蹈在不断发展。在过去的三十年里,它的格局发生了重大变化和发展,从一个剧目公司慢慢转变为一个多样化的自由职业环境。在这种特殊的环境中,舞者需要掌握的技能的广度不断变得更加复杂。鉴于新兴的当代舞者将面临日益多样化的自由职业环境的新现实,培训机构应该如何为学生做好应对这种范式转变的最佳准备?为了应对这一挑战,我开始开发“多孔体”,这是一种感觉结构,通过遵循四个基本指导原则:流动、游戏性、隐喻和悖论,促进身体和心理可塑性的提高。根据我自己的表演、舞蹈和教学实践,以及二十世纪和二十一世纪舞蹈艺术家、动作练习者、哲学家和心理学家的工作,我将制定这种方法,同时分享从舞者那里收集的轶事反馈,我最近与他们一起试验了这种身心延展性的概念。文章不断变化的世界
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The Porous Body: Cultivating malleability in traditional dance training
Contemporary dance is constantly evolving. Its landscape has transformed and developed significantly over the past thirty years, slowly shifting from a repertoire company scene to a diverse freelance environment. In this idiosyncratic milieu, the breadth of skills that dancers need to master is constantly becoming more complex. Given that emerging contemporary dancers will be encountering the new reality of an increasingly heterogeneous freelance environment, how should training institutions best prepare students for this paradigm shift? To address this challenge, I began developing ‘The Porous Body’, a structure of feeling that promotes the practice of heightened physical and mental malleability by following four fundamental guiding principles: flow, playfulness, metaphor and paradox. Sourcing from my own performative, choreographic and pedagogical practices, and the work of dance artists, movement practitioners, philosophers and psychologists from the twentieth and twenty-first centuries, I will formulate this method while sharing anecdotal feedback collected from dancers with whom I have recently experimented with this concept of physical and mental malleability. ARTICLE A changing world
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.
期刊最新文献
A Philosophy of Practising With Deleuze’s Difference and Repetition, Antonia Pont (2021) b12: research or die: The festival for contemporary dance and performance art in Berlin, summer event, July 2022 Eco Soma: Pain and Joy in Speculative Performance Encounters, Petra Kuppers (2022) Move like a practising bubble Queering and disrupting as acts of intervention: Proposals for engendering an attitude of practising in the performance workshop space
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