拓展舞蹈档案:可访问性、可合法性和档案参与

IF 0.3 3区 艺术学 0 DANCE Dance Research Pub Date : 2020-11-01 DOI:10.3366/drs.2020.0309
T. D. Laet
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引用次数: 2

摘要

近年来,舞蹈档案受到的广泛关注主要集中在新的档案格式上,这些格式通常依赖于数字技术,或者将档案重新定位到舞蹈编排和舞蹈身体中。尽管这些更具实验性的方法对于开辟舞蹈档案的新途径至关重要,但本文还是退一步考虑了如何扩大现有的档案结构,以提高档案材料的可访问性和易读性。将个人对档案研究的描述与舞蹈研究和档案科学最近的辩论相结合,目的是在两个领域之间建立跨学科对话,尽管这两个领域有着共同的利益,但它们一直以非常孤立的方式运作。从“参与式档案”的概念如何在档案实践和学术中越来越突出,我认为,扩大档案信息的输入可能会在档案研究和社区外联方面带来更大的产出。
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Expanding Dance Archives: Access, Legibility, and Archival Participation
The ample attention the archivisation of dance has received in recent years primarily focused on new archival formats that often rely on digital technologies or which relocate the archive into choreography and the dancing body. Even though these more experimental approaches are vital in broaching new avenues for dance archivisation, this article takes a step back by considering how existing archival structures can be expanded in order to increase both the accessibility and legibility of archive materials. Interweaving a personal account of doing archival research with a discussion of recent debates within both dance studies and archival science, the aim is to set up an interdisciplinary dialogue between two domains that have been operating in a remarkably isolated manner despite their mutual interests. Taking my cue from how the notion of ‘participatory archives’ is gaining prominence in archival practice and scholarship, I argue that enlarging the input of archival information may lead to a greater output with regard to both archival research and community outreach.
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CiteScore
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发文量
9
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