{"title":"真正的麦瑟尔夫人:第一位犹太女性单口喜剧演员让·卡罗尔","authors":"G. Overbeke","doi":"10.1353/sho.2021.0040","DOIUrl":null,"url":null,"abstract":"ABSTRACT:This essay argues that Jean Carroll, America's first Jewish female stand-up comedian, constitutes a key figure in the history of Jewish performance because she embodied a new model of Jewish femininity in comedy, transforming the emerging genre of \"stand-up comedy\" from one that reinscribed and circulated negative stereotypes of Jewish women to one that revised and humanized these stereotypes. As pioneers of modern stand-up comedy like Henny Youngman marked the genre with misogynistic accounts of Jewish women as backward and unsympathetically demanding, Carroll provided an alternate representation that captured a more assimilated, sophisticated, and sympathetic Jewess. Her performances on mainstream stages were coded, drawing on stereotypes of Jewish women circulated by her Jewish male colleagues, but humanizing them using a new style of \"confidant comedy\" that leveraged the intimacy of her informal, conversational delivery.","PeriodicalId":21809,"journal":{"name":"Shofar: An Interdisciplinary Journal of Jewish Studies","volume":"39 1","pages":"154 - 180"},"PeriodicalIF":0.2000,"publicationDate":"2022-01-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"The Real Mrs. Maisel: Jean Carroll, the First Jewish Female Stand-Up Comedian\",\"authors\":\"G. Overbeke\",\"doi\":\"10.1353/sho.2021.0040\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:This essay argues that Jean Carroll, America's first Jewish female stand-up comedian, constitutes a key figure in the history of Jewish performance because she embodied a new model of Jewish femininity in comedy, transforming the emerging genre of \\\"stand-up comedy\\\" from one that reinscribed and circulated negative stereotypes of Jewish women to one that revised and humanized these stereotypes. As pioneers of modern stand-up comedy like Henny Youngman marked the genre with misogynistic accounts of Jewish women as backward and unsympathetically demanding, Carroll provided an alternate representation that captured a more assimilated, sophisticated, and sympathetic Jewess. Her performances on mainstream stages were coded, drawing on stereotypes of Jewish women circulated by her Jewish male colleagues, but humanizing them using a new style of \\\"confidant comedy\\\" that leveraged the intimacy of her informal, conversational delivery.\",\"PeriodicalId\":21809,\"journal\":{\"name\":\"Shofar: An Interdisciplinary Journal of Jewish Studies\",\"volume\":\"39 1\",\"pages\":\"154 - 180\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-01-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shofar: An Interdisciplinary Journal of Jewish Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sho.2021.0040\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shofar: An Interdisciplinary Journal of Jewish Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sho.2021.0040","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
The Real Mrs. Maisel: Jean Carroll, the First Jewish Female Stand-Up Comedian
ABSTRACT:This essay argues that Jean Carroll, America's first Jewish female stand-up comedian, constitutes a key figure in the history of Jewish performance because she embodied a new model of Jewish femininity in comedy, transforming the emerging genre of "stand-up comedy" from one that reinscribed and circulated negative stereotypes of Jewish women to one that revised and humanized these stereotypes. As pioneers of modern stand-up comedy like Henny Youngman marked the genre with misogynistic accounts of Jewish women as backward and unsympathetically demanding, Carroll provided an alternate representation that captured a more assimilated, sophisticated, and sympathetic Jewess. Her performances on mainstream stages were coded, drawing on stereotypes of Jewish women circulated by her Jewish male colleagues, but humanizing them using a new style of "confidant comedy" that leveraged the intimacy of her informal, conversational delivery.