真正的麦瑟尔夫人:第一位犹太女性单口喜剧演员让·卡罗尔

IF 0.2 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Shofar: An Interdisciplinary Journal of Jewish Studies Pub Date : 2022-01-05 DOI:10.1353/sho.2021.0040
G. Overbeke
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引用次数: 1

摘要

摘要:本文认为,美国第一位犹太女性单口相声演员让·卡罗尔是犹太表演史上的关键人物,因为她在喜剧中体现了一种新的犹太女性气质模式,将新兴的“单口喜剧”类型从重新树立和传播对犹太女性的负面刻板印象转变为修正和人性化这些刻板印象。现代单口喜剧的先驱,如亨尼·扬曼(Henny Youngman),用对犹太女性的厌女描述来标记这一类型,认为她们落后且要求不高,卡罗尔提供了另一种表现,捕捉到了一个更同化、更老练、更具同情心的犹太人。她在主流舞台上的表演是有编码的,借鉴了犹太男同事流传的对犹太女性的刻板印象,但使用了一种新的“知己喜剧”风格,利用了她非正式对话表达的亲密感,将她们人性化。
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The Real Mrs. Maisel: Jean Carroll, the First Jewish Female Stand-Up Comedian
ABSTRACT:This essay argues that Jean Carroll, America's first Jewish female stand-up comedian, constitutes a key figure in the history of Jewish performance because she embodied a new model of Jewish femininity in comedy, transforming the emerging genre of "stand-up comedy" from one that reinscribed and circulated negative stereotypes of Jewish women to one that revised and humanized these stereotypes. As pioneers of modern stand-up comedy like Henny Youngman marked the genre with misogynistic accounts of Jewish women as backward and unsympathetically demanding, Carroll provided an alternate representation that captured a more assimilated, sophisticated, and sympathetic Jewess. Her performances on mainstream stages were coded, drawing on stereotypes of Jewish women circulated by her Jewish male colleagues, but humanizing them using a new style of "confidant comedy" that leveraged the intimacy of her informal, conversational delivery.
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