从克莱尔到安娜丽丝:如何在电视上成为一名黑人女律师

Kellyn O. McGee
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摘要

克莱尔·赫克斯塔布尔是1984年9月首播的美国电视情景喜剧《考斯比秀》中的标志性母亲、妻子和律师。她似乎是一位完美的律师——律师事务所的合伙人,为每一个案件做好准备,在每一个案例中都取得了胜利,从不越过或接近法律道德的边界线——同时养育5至20岁的孩子,并支持她同样成功的妇产科丈夫。克莱尔的完美可能激励了年轻女性在20世纪80年代中期到90年代初以及以后成为律师。克莱尔·赫克斯塔布尔是一个很难效仿的人。在照本宣科的电视节目中,在她之后的黑人女律师为黑人、女性和律师的真正意义带来了更多的现实主义。自从克莱尔进入我们的客厅以来的几十年里,这些角色帮助引导了他们真正同行的职业身份。本文探讨了自1984年以来,黑人女律师在剧本电视上的形象,以及这些形象如何与克莱尔·赫克斯塔布尔和现实生活中的黑人女律师进行比较或对比。
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From Clair to Annalise: how to get away with being a black woman lawyer on television
ABSTRACT Clair Huxtable was the iconic mother, wife, and lawyer on The Cosby Show, an American television sitcom that premiered in September 1984. She appeared to be the perfect lawyer—partner in a law firm, prepared for every case, triumphant in every case, and never stepping over, or anywhere near, the boundary line of legal ethics—all while mothering children ranging in age from 5 to 20 years and supporting her equally successful obstetrician/gynecologist husband. In all her perfection, Clair presumably inspired young women to become lawyers during the middle 1980s through the early 1990s, and beyond. Clair Huxtable was a tough act to follow. The Black women lawyers who came after her on scripted television brought more realism to what it really means to be Black, woman, and a lawyer. These characters have helped direct the professional identities of their real counterparts in the decades since Clair entered our living rooms. This article explores the images of Black woman lawyer characters on scripted television since 1984 and how those images compare or contrast with Clair Huxtable and real-life Black women lawyers.
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