数字历史走向东方:文化遗产资产数据库描述:“中东欧研究基础设施中的纪念碑和艺术品项目”

IF 0.3 0 ART Visual Resources Pub Date : 2019-02-11 DOI:10.1080/01973762.2018.1553443
E. Kłoda, Ksenia Stanicka-Brzezicka
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引用次数: 1

摘要

“中东欧纪念碑和艺术品研究基础设施”项目展示了在多语言和文化多样的环境中,将数字人文的方法和工具引入艺术历史问题。中东欧是一个历史上不断变化的边界和不同民族知识文化的地区。对于这样一个地区来说,适当的跨国科学基础设施对于艺术历史遗迹的充分描述和分类,以及行动者和文化现象的动态网络至关重要。根据我们的项目经验,我们认为,通过数据建模和设定数字图像标准的过程创建的知识模型可以被视为研究的解释和认识论框架。本文通过语义数据模型分析了编目数据与基础设施的跨国集成。我们解决了在数据库中实现多语言外部词汇和权限控制的问题。在材料转向的背景下对照片进行索引的方法是基础设施中的另一个关键问题。此外,本文强调了该项目的实际挑战,如:参与国际合作者网络、法律要求和版权。
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Digital History Goes East: A Database Description of Cultural Heritage Assets: “Project Monuments and Artworks in East Central Europe Research Infrastructure”
The project “Monuments and Artworks in East Central Europe Research Infrastructure” exemplifies introducing methods and tools of digital humanities to art-historical problems in multilingual and culturally diverse milieu. East Central Europe is a region with historically changing borders and different national cultures of knowledge. For such a region, a proper transnational scientific infrastructure is vital for the adequate description and classification of art-historical monuments, and dynamic networks of actors and cultural phenomena. Drawing on our project experience, we argue that the model of knowledge created through the process of data modelling and setting standards for digital images can be seen as an interpretative and epistemological frame for research. This paper analyses the transnational integration of catalogued data into the infrastructure through a semantic data model. We tackle the question of implementation of multilingual external vocabularies and authority control in the database. The method of indexing photos in the context of the material turn is another crucial issue in the infrastructure. In addition, this paper underlines practical challenges of the project such as: involvement in an international network of collaborators, legal requirements, and copyright.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
12
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