被过去感动?中国青州龙兴寺遗址作为社区遗产的再阐释

IF 0.3 4区 历史学 0 ARCHAEOLOGY Archaeologies-Journal of the World Archaeological Congress Pub Date : 2021-06-03 DOI:10.1007/s11759-021-09425-y
Li Tao, Qiaowei Wei
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引用次数: 2

摘要

社区遗产通常揭示了自下而上的社会生活多维度的庆祝活动,在遗产实践中为某些地方、遗址甚至纪念碑协商意义。1996年,青州龙兴寺数百尊珍贵佛像的发掘修复工作,引起了社会各界和佛教界的广泛关注。在著名佛教人物画家夏景山的推动下,青州县龙兴寺的重建,使得宗教界和当地社区合作,在遗产话语中表达自己的声音。龙星寺遗址的重新诠释有很多因素:希望宣传青州作为中国古代重要城市的地位,描绘出青州具有丰富的文化和宗教多样性,并吸引游客和宗教团体来青州旅游。
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Touched by the Past? Re-Articulating the Longxing Temple Sites as Community Heritage at Qingzhou County, China

Community heritage usually reveals bottom-up celebrations of multi-dimensions of social life, which negotiate meaning to certain places, sites, or even monuments under practices of heritage. In 1996, excavations and restorations of the Longxing Buddhist temple at Qingzhou County, hundreds of precious Buddhist statues, gained attention from the general public and all Buddhist communities. With the rebuild of the new Longxing Buddhist temple at Qingzhou County, actually motivated by Xia Jingshan, an eminent Buddhist figure painter, the religious and local community collaborated to express their voices in heritage discourse. A number of factors influence the reinterpretation of Longxing Temple sites: the desire to advocate Qingzhou County as an important city in ancient China, to depict Qingzhou County as having a rich cultural and religious diversity, and to attract tourists and religious communities to visit Qingzhou.

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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
24
期刊介绍: Archaeologies: Journal of the World Archaeological Congress offers a venue for debates and topical issues, through peer-reviewed articles, reports and reviews. It emphasizes contributions that seek to recenter (or decenter) archaeology, and that challenge local and global power geometries. Areas of interest include ethics and archaeology; public archaeology; legacies of colonialism and nationalism within the discipline; the interplay of local and global archaeological traditions; theory and archaeology; the discipline’s involvement in projects of memory, identity, and restitution; and rights and ethics relating to cultural property, issues of acquisition, custodianship, conservation, and display. Recognizing the importance of non-Western epistemologies and intellectual traditions, the journal publishes some material in nonstandard format, including dialogues; annotated photographic essays; transcripts of public events; and statements from elders, custodians, descent groups and individuals.
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