Buahit Serit;埃塞俄比亚西北部东Gojjam最新记录和濒危的牧区岩石艺术遗址

IF 0.3 4区 历史学 0 ARCHAEOLOGY Archaeologies-Journal of the World Archaeological Congress Pub Date : 2021-08-12 DOI:10.1007/s11759-021-09431-0
Tesfaye Wondyifraw Tsegaye
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引用次数: 0

摘要

这项考古研究揭示了在埃塞俄比亚西北部阿姆哈拉地区国家东Gojjam地区布阿希特塞里特峡谷沿青尼罗河墙壁上以前没有记录的岩石艺术。虽然埃塞俄比亚在非洲之角拥有最多的岩石艺术遗址,但布阿希特塞里特是阿姆哈拉地区国家第一个公布的岩石艺术遗址。根据对其绘画内容和风格的比较,Buahit Serit岩石艺术暂定为全新世晚期(公元前1000年-公元1000年)。岩画由狩猎、放牧和几何表现组成。本研究提出了一些几何设计可能代表风格化头枕的想法,这可能将岩石艺术与生活牧民的文化连续性联系起来。今天,布阿希特塞里特岩画,像许多埃塞俄比亚的岩石艺术遗址一样,由于人为和自然原因而濒临灭绝。
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Buahit Serit; A Newly Documented and Endangered Pastoral Rock Art Site in East Gojjam, Northwestern Ethiopia

This archaeological study reveals previously undocumented rock art along the Blue Nile on the walls of the Buahit Serit gorge in the East Gojjam Zone of the Amhara Regional State in Northwestern Ethiopia. Although Ethiopia has the largest number of documented rock art sites in the Horn of Africa, Buahit Serit is the first published rock art site in the Amhara Regional State. The Buahit Serit rock art is tentatively dated to the late Holocene (1000 BCE–1000 CE) based on comparison of the content and style of its paintings. The rock paintings are composed of hunting, herding, and geometric representations. This study introduces the idea that some of the geometric designs may represent stylized headrest, which may connect the rock art to cultural continuity with living pastoralists. Today the Buahit Serit rock paintings, like many Ethiopian rock art sites, are endangered due to anthropogenic and natural causes.

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来源期刊
CiteScore
1.10
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0.00%
发文量
24
期刊介绍: Archaeologies: Journal of the World Archaeological Congress offers a venue for debates and topical issues, through peer-reviewed articles, reports and reviews. It emphasizes contributions that seek to recenter (or decenter) archaeology, and that challenge local and global power geometries. Areas of interest include ethics and archaeology; public archaeology; legacies of colonialism and nationalism within the discipline; the interplay of local and global archaeological traditions; theory and archaeology; the discipline’s involvement in projects of memory, identity, and restitution; and rights and ethics relating to cultural property, issues of acquisition, custodianship, conservation, and display. Recognizing the importance of non-Western epistemologies and intellectual traditions, the journal publishes some material in nonstandard format, including dialogues; annotated photographic essays; transcripts of public events; and statements from elders, custodians, descent groups and individuals.
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