{"title":"广岛世界和平纪念大教堂(1954年)的设计过程,作者:Togo Murano(下):Xavier Hall(1949年)设计中的形式操作","authors":"Yoshito Tomioka, Chikako Tabata","doi":"10.1002/2475-8876.12407","DOIUrl":null,"url":null,"abstract":"<p>Xavier Hall, a timber structure designed as an auditorium, and believers' hall by Togo Murano Architect Office, were partially completed in 1949 on the property of Nobori-cho Catholic Church in Hiroshima, widely known as the Memorial Cathedral for World Peace. The building is important to understand the design process of the cathedral because it had a fundamental influence on the planning of the religious complex as a whole. For this paper, based on a chronological analysis of sketches and drawings relevant to the building, morphological analysis was performed through three problem-solving studies to reveal the architect's design thinking and strategy.</p>","PeriodicalId":42793,"journal":{"name":"Japan Architectural Review","volume":"6 1","pages":""},"PeriodicalIF":0.8000,"publicationDate":"2023-10-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1002/2475-8876.12407","citationCount":"0","resultStr":"{\"title\":\"Design process of the Memorial Cathedral for World Peace (1954), Hiroshima, by Togo Murano (Part 2): Formal manipulations observed in the design of Xavier Hall (1949)\",\"authors\":\"Yoshito Tomioka, Chikako Tabata\",\"doi\":\"10.1002/2475-8876.12407\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p>Xavier Hall, a timber structure designed as an auditorium, and believers' hall by Togo Murano Architect Office, were partially completed in 1949 on the property of Nobori-cho Catholic Church in Hiroshima, widely known as the Memorial Cathedral for World Peace. The building is important to understand the design process of the cathedral because it had a fundamental influence on the planning of the religious complex as a whole. For this paper, based on a chronological analysis of sketches and drawings relevant to the building, morphological analysis was performed through three problem-solving studies to reveal the architect's design thinking and strategy.</p>\",\"PeriodicalId\":42793,\"journal\":{\"name\":\"Japan Architectural Review\",\"volume\":\"6 1\",\"pages\":\"\"},\"PeriodicalIF\":0.8000,\"publicationDate\":\"2023-10-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://onlinelibrary.wiley.com/doi/epdf/10.1002/2475-8876.12407\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Japan Architectural Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://onlinelibrary.wiley.com/doi/10.1002/2475-8876.12407\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Japan Architectural Review","FirstCategoryId":"1085","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1002/2475-8876.12407","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
摘要
泽维尔大厅(Xavier Hall)是一座设计为礼堂的木结构建筑,也是多哥村野建筑师事务所(Togo Murano Architect Office)的信徒大厅,于1949年在广岛信长町天主教堂(Nobori cho Catholic Church)的财产上部分完工,该教堂被广泛称为世界和平纪念大教堂(Memorial Cathedral for World Peace)。这座建筑对于理解大教堂的设计过程很重要,因为它对整个宗教综合体的规划产生了根本性的影响。本文在对建筑相关草图和图纸进行时间分析的基础上,通过三项解决问题的研究进行形态分析,以揭示建筑师的设计思维和策略。
Design process of the Memorial Cathedral for World Peace (1954), Hiroshima, by Togo Murano (Part 2): Formal manipulations observed in the design of Xavier Hall (1949)
Xavier Hall, a timber structure designed as an auditorium, and believers' hall by Togo Murano Architect Office, were partially completed in 1949 on the property of Nobori-cho Catholic Church in Hiroshima, widely known as the Memorial Cathedral for World Peace. The building is important to understand the design process of the cathedral because it had a fundamental influence on the planning of the religious complex as a whole. For this paper, based on a chronological analysis of sketches and drawings relevant to the building, morphological analysis was performed through three problem-solving studies to reveal the architect's design thinking and strategy.