{"title":"Shafiga Daulet。喀山和莫斯科:俄罗斯帝国主义下五个世纪的严重共存,1552-2002。哈德逊,新罕布什尔州:凯斯出版社,2003。826页。ISBN: 0 - 615 - 12254 - x","authors":"John M. Vanderlippe","doi":"10.1017/S0026318400050689","DOIUrl":null,"url":null,"abstract":"Chapter 2 discusses how the tyrannical Pharaoh who confronted Moses in the Qur'an bolstered the revulsion of some medieval Muslims against all pre-Islamic antiquities. But other Muslims travelers, philosophers, Sufis, and peasants reflected on antiquities as telling reminders of the power and wisdom of ancient Egypt. The chapter then describes the halting attempts of the Egyptian state from the 1830s to claim, conserve, and collect antiquities. Chapter 3 describes how, under Khedive Ismail, Rifa'a al-Tahtawi and Ali Mubarak laid institutional foundations for teaching about ancient Egypt and linking the pharaohs to modern revival and the cause of national independence. Ahmad Lutfi al-Sayyid expounded these themes early in the 20\" century, and his intellectual and political heirs came into their own in the interwar period, the subject of Chapter 4. In 1922, Carter's discovery of Tutankhamun's tomb came on the heels of Britain's concession of greater Egyptian independence. To Carter's consternation, nationalists won the battle to keep all of Tut's treasures in Egypt. \"Pharaonism\" swept through elite discourse in politics (palace, Wafdist, and Liberal Constitutionalist), literature (Muhammad Husayn Haykal and Tawfiq al-Hakim), painting, and sculpture. Mahmud al-Mukhtar's iconic granite statue \"The Awakening of Egypt\" showed a sphinx rising as a peasant woman lifts her head covering. Pharaonism had already peaked before World War II, when Naguib Mahfouz published his first three novels, all set in ancient Egypt. Colla's fifth chapter creatively pairs Mahfouz and Sayyid Qutb, who in 1944 heaped extravagant praise on Mahfouz's Kijah Tiba (The Struggle of Thebes). Kifab celebrates Egypt's liberation from foreign Hyksos rule at the start of the New Kingdom, a clear allusion to longing for freedom from the British yoke. Mahfouz and Qutb soon turned their backs on pharaonism, though in fatefully different ways. Mahfouz began writing the social realist fiction set in the 20\"' century that would win him the Nobel Prize but almost cost him his life at the hands of an Islamist assassin. Qutb, appalled by experience of the United States as a student, returned to join the Muslim Brotherhood, spend years in Nasser's prisons, and die on the gallows in 1966. His prison polemics against contemporary Muslim regimes and the West still echo through the Islamic world. The Qur'anic pharaoh of Moses loomed large in his imagination, and in 1981 President Sadat's assassin would proclaim, \"I have killed Pharaoh!\" Colla's rich readings of the multiple meanings of pharaonic history are an inspired contribution to a growing subfield. Conflicted Antiquities will be a cornerstone for further work on the perennially fascinating topic of ancient Egypt's legacy to cultures near and far that came after it.","PeriodicalId":88595,"journal":{"name":"Middle East Studies Association bulletin","volume":"41 1","pages":"192 - 194"},"PeriodicalIF":0.0000,"publicationDate":"2007-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0026318400050689","citationCount":"0","resultStr":"{\"title\":\"Shafiga Daulet. Kazan and Moscow: Five Centuries of Crippling Coexistence under Russian Imperialism, 1552-2002 . Hudson, NH: Kase Press, 2003. 826pp. ISBN: 0-615-12254-X\",\"authors\":\"John M. Vanderlippe\",\"doi\":\"10.1017/S0026318400050689\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chapter 2 discusses how the tyrannical Pharaoh who confronted Moses in the Qur'an bolstered the revulsion of some medieval Muslims against all pre-Islamic antiquities. But other Muslims travelers, philosophers, Sufis, and peasants reflected on antiquities as telling reminders of the power and wisdom of ancient Egypt. The chapter then describes the halting attempts of the Egyptian state from the 1830s to claim, conserve, and collect antiquities. Chapter 3 describes how, under Khedive Ismail, Rifa'a al-Tahtawi and Ali Mubarak laid institutional foundations for teaching about ancient Egypt and linking the pharaohs to modern revival and the cause of national independence. Ahmad Lutfi al-Sayyid expounded these themes early in the 20\\\" century, and his intellectual and political heirs came into their own in the interwar period, the subject of Chapter 4. In 1922, Carter's discovery of Tutankhamun's tomb came on the heels of Britain's concession of greater Egyptian independence. To Carter's consternation, nationalists won the battle to keep all of Tut's treasures in Egypt. \\\"Pharaonism\\\" swept through elite discourse in politics (palace, Wafdist, and Liberal Constitutionalist), literature (Muhammad Husayn Haykal and Tawfiq al-Hakim), painting, and sculpture. Mahmud al-Mukhtar's iconic granite statue \\\"The Awakening of Egypt\\\" showed a sphinx rising as a peasant woman lifts her head covering. Pharaonism had already peaked before World War II, when Naguib Mahfouz published his first three novels, all set in ancient Egypt. Colla's fifth chapter creatively pairs Mahfouz and Sayyid Qutb, who in 1944 heaped extravagant praise on Mahfouz's Kijah Tiba (The Struggle of Thebes). Kifab celebrates Egypt's liberation from foreign Hyksos rule at the start of the New Kingdom, a clear allusion to longing for freedom from the British yoke. Mahfouz and Qutb soon turned their backs on pharaonism, though in fatefully different ways. Mahfouz began writing the social realist fiction set in the 20\\\"' century that would win him the Nobel Prize but almost cost him his life at the hands of an Islamist assassin. Qutb, appalled by experience of the United States as a student, returned to join the Muslim Brotherhood, spend years in Nasser's prisons, and die on the gallows in 1966. His prison polemics against contemporary Muslim regimes and the West still echo through the Islamic world. The Qur'anic pharaoh of Moses loomed large in his imagination, and in 1981 President Sadat's assassin would proclaim, \\\"I have killed Pharaoh!\\\" Colla's rich readings of the multiple meanings of pharaonic history are an inspired contribution to a growing subfield. 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引用次数: 0
摘要
第二章讨论了在《古兰经》中与摩西对峙的暴虐法老如何激起了一些中世纪穆斯林对所有前伊斯兰时代古物的反感。但其他穆斯林旅行者、哲学家、苏菲派和农民则认为,这些文物提醒着人们古埃及的力量和智慧。然后,本章描述了埃及政府从19世纪30年代开始断断续续地要求、保存和收集文物的尝试。第三章描述了在赫迪夫·伊斯梅尔的领导下,里法阿·塔塔维和阿里·穆巴拉克如何为古埃及的教学奠定制度基础,并将法老与现代复兴和民族独立事业联系起来。Ahmad Lutfi al-Sayyid在20世纪早期阐述了这些主题,他的知识分子和政治继承人在两次世界大战之间的时期得到了自己的发展,这是第四章的主题。1922年,卡特发现了图坦卡蒙陵墓,就在英国承认埃及更大程度的独立之后。令卡特震惊的是,民族主义者赢得了将图坦卡蒙所有宝藏留在埃及的战斗。“法老主义”席卷了政治(宫廷主义、瓦夫派和自由立宪主义者)、文学(穆罕默德·侯赛因·海卡尔和陶菲克·哈基姆)、绘画和雕塑领域的精英话语。马哈茂德·穆赫塔尔(Mahmud al-Mukhtar)的标志性花岗岩雕像《埃及的觉醒》(The Awakening of Egypt)中,一位农妇掀开头巾,狮身人面像正在升起。法老主义在第二次世界大战之前就已经达到了顶峰,当时纳吉布·马哈福兹(Naguib Mahfouz)出版了他的前三部小说,都以古埃及为背景。科拉的第五章创造性地将马哈福兹和萨伊德·库特布放在一起,后者在1944年对马哈福兹的《底比斯之战》大加赞扬。Kifab庆祝埃及在新王国开始时从外国希克索斯统治下解放出来,这明显暗示了对摆脱英国枷锁的渴望。马哈福兹和库特卜很快就背弃了法老主义,尽管方式截然不同。马哈福兹开始创作以20世纪为背景的社会现实主义小说,这部小说为他赢得了诺贝尔奖,但也差点让他丧命于一名伊斯兰刺客之手。作为学生的库特布对美国的经历感到震惊,他回到美国加入了穆斯林兄弟会,在纳赛尔的监狱里呆了几年,并于1966年死于绞刑架上。他在狱中针对当代穆斯林政权和西方的论战至今仍在伊斯兰世界回响。《古兰经》中摩西的法老隐约出现在他的想象中,1981年暗杀萨达特总统的人宣称:“我已经杀死了法老!”科拉对法老历史多重含义的丰富解读,对这一不断发展的分支领域做出了鼓舞人心的贡献。古物冲突将成为进一步研究古埃及对后世文化遗产这一永恒迷人话题的基石。
Shafiga Daulet. Kazan and Moscow: Five Centuries of Crippling Coexistence under Russian Imperialism, 1552-2002 . Hudson, NH: Kase Press, 2003. 826pp. ISBN: 0-615-12254-X
Chapter 2 discusses how the tyrannical Pharaoh who confronted Moses in the Qur'an bolstered the revulsion of some medieval Muslims against all pre-Islamic antiquities. But other Muslims travelers, philosophers, Sufis, and peasants reflected on antiquities as telling reminders of the power and wisdom of ancient Egypt. The chapter then describes the halting attempts of the Egyptian state from the 1830s to claim, conserve, and collect antiquities. Chapter 3 describes how, under Khedive Ismail, Rifa'a al-Tahtawi and Ali Mubarak laid institutional foundations for teaching about ancient Egypt and linking the pharaohs to modern revival and the cause of national independence. Ahmad Lutfi al-Sayyid expounded these themes early in the 20" century, and his intellectual and political heirs came into their own in the interwar period, the subject of Chapter 4. In 1922, Carter's discovery of Tutankhamun's tomb came on the heels of Britain's concession of greater Egyptian independence. To Carter's consternation, nationalists won the battle to keep all of Tut's treasures in Egypt. "Pharaonism" swept through elite discourse in politics (palace, Wafdist, and Liberal Constitutionalist), literature (Muhammad Husayn Haykal and Tawfiq al-Hakim), painting, and sculpture. Mahmud al-Mukhtar's iconic granite statue "The Awakening of Egypt" showed a sphinx rising as a peasant woman lifts her head covering. Pharaonism had already peaked before World War II, when Naguib Mahfouz published his first three novels, all set in ancient Egypt. Colla's fifth chapter creatively pairs Mahfouz and Sayyid Qutb, who in 1944 heaped extravagant praise on Mahfouz's Kijah Tiba (The Struggle of Thebes). Kifab celebrates Egypt's liberation from foreign Hyksos rule at the start of the New Kingdom, a clear allusion to longing for freedom from the British yoke. Mahfouz and Qutb soon turned their backs on pharaonism, though in fatefully different ways. Mahfouz began writing the social realist fiction set in the 20"' century that would win him the Nobel Prize but almost cost him his life at the hands of an Islamist assassin. Qutb, appalled by experience of the United States as a student, returned to join the Muslim Brotherhood, spend years in Nasser's prisons, and die on the gallows in 1966. His prison polemics against contemporary Muslim regimes and the West still echo through the Islamic world. The Qur'anic pharaoh of Moses loomed large in his imagination, and in 1981 President Sadat's assassin would proclaim, "I have killed Pharaoh!" Colla's rich readings of the multiple meanings of pharaonic history are an inspired contribution to a growing subfield. Conflicted Antiquities will be a cornerstone for further work on the perennially fascinating topic of ancient Egypt's legacy to cultures near and far that came after it.