可怕的终极英国人:卡图卢斯11.11

IF 0.5 3区 历史学 0 CLASSICS Cambridge Classical Journal Pub Date : 1984-01-01 DOI:10.1017/S0068673500004636
D. Mckie
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引用次数: 10

摘要

在Catullus的萨非诗的第三节中,我们最早的手稿(O, G, R)所保留的传统呈现了织物trans altas gradietur AlpesCaesaris uisens monimenta magniGallicum Rhenum horribilesque 11ultimosque BritannosR2 (Salutati)通过将ultra -转移到11行,迅速将metre恢复到12行。同时,他擦掉了“恐怖”一词中的“-que”,我们将会看到,这是为了改善意思,但这一行少了一个音节。这是第一次认识到,在这一行中,感觉和听觉的需求是相互矛盾的,在20世纪和14世纪都是如此。Salutati在R语言中做了许多这样的修改,通常着眼于韵律,但这些修改背后没有手稿权威,我们可以根据自己的优点自由地接受或拒绝他的修改。这两句话中只有第一句被接受了(这是正常的),这几句话向我们展示了臭名昭著的症结:加利克姆·勒纳姆(Gallicum Rhenum)恐怖的多清真寺不列颠人
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The horrible and ultimate Britons: Catullus 11.11
When, in the third stanza of Catullus' Sapphic poem 11, the tradition preserved by our earliest manuscripts (O, G, R) presented the textsiue trans altas gradietur AlpesCaesaris uisens monimenta magniGallicum Rhenum horribilesque 11ultimosque BritannosR2 (Salutati) quickly restored metre to line 12 by transferring ulti– to line 11. At the same time he erased the –que of horribilesque, improving the sense, as we shall see, but leaving the line deficient by one syllable. This was the first recognition of the conflicting demands of sense and scansion in the line, as present in the twentieth as they were in the fourteenth century. Salutati made many such alterations in R, often with an eye to metre, but no manuscript authority lies behind them and we are free to accept or reject his corrections on their own merits. With the first only of these two accepted (as is normal), the lines present us with the notorious crux:Gallicum Rhenum horribilesque ulti–mosque Britannos
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