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引用次数: 14
引用
批量引用
摘要
目的
这
纸
探索
博物馆
尽可能
代替
de
备忘录(或
网站/领域
内存)
作为
铰接在
著作
法国
历史学家
皮埃尔
诺拉
(1989年,
1996)。
我
努力
在于
如何
辩论,
从
理论
角度来看,
问题
历史,
过去,
记忆
和
持续
建设
文化
机构。
顺序
做
我
将简要
账户
创建
和
转换
现代
博物馆,
我
简洁
将讨论
展览
新
纽约
划分:
奴隶制
和
公民
战争
企图
说明
具体
主要例子
勘探
纸。
展览
和
显示
提到
在
这
工作
主要
历史以来
字符
博物馆
部分作为
历史
过程
连接
过去,
记忆,
和
礼物
中央
在这里解决问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Are museums sites of memory
The
aim
of
this
paper
is
to
explore
the
museum
as
possible
lieu
de
memoire (or
site/realm
of
memory)
as
articulated
in
the
writings
of
French
historian,
Pierre
Nora
(1989,
1996).
My
effort
lies
in
how
to
debate,
from
a
theoretical
perspective,
issues
on
history,
past,
memory
and
their
ongoing
construction
in
cultural
institutions.
In
order
to
do
this
I
will
briefly
account
for
the
creation
and
transformation
of
the
modern
museum,
then
I
will
concisely
discuss
the
exhibition
New
York
Divided:
Slavery
and
the
Civil
War
as
an
attempt
to
illustrate
with
concrete
examples
the
main
exploration
of
this
paper.
The
exhibitions
and
displays
alluded
to
in
this
work
are
mainly
of
historical
character
since
the
museum
as
part
of
a
historical
process
and
its
connections
to
past,
memory,
and
present
are
the
central
issues
addressed
here.