“塞西不是片段”:萨福《兄弟诗》中的身份、互文性与虚构性

IF 0.1 3区 历史学 N/A CLASSICS Symbolae Osloenses Pub Date : 2016-01-01 DOI:10.1080/00397679.2016.1253259
S. Bär
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引用次数: 5

摘要

本文从多个角度对萨福的《兄弟诗》进行了重新评价和分析,这是学术界迄今尚未充分研究的问题。首先,我们讨论了一些关于兄弟和萨福说话者角色的原则问题。其次,考察了这首诗的交际情境,并考虑了用“你”来称呼人的不同选择。第三,论证了《奥德赛》与《荷马奥德赛》如何在不同层面上建立互文对话,以及这种对话如何影响对《荷马奥德赛》的总体理解。最后,普遍持有的观点,即五个传输节不代表整首诗受到挑战。文章最后对一些关于兄弟诗的性质和支离破碎状态的最常见的假设进行了更广泛的考虑。
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“Ceci n’est pas un fragment”: Identity, Intertextuality and Fictionality in Sappho’s “Brothers Poem”
In this article, Sappho’s Brothers Poem is re-evaluated and analysed from various perspectives that have not been addressed sufficiently in scholarship so far. First, some questions of principle regarding the role of the brothers and the Sapphic speaker are discussed. Secondly, the poem’s communicative situation is examined, and different options for the identification of the person addressed as “you” are considered. Thirdly, it is demonstrated how the poem establishes an intertextual dialogue with the Homeric Odyssey on various levels, and how this dialogue affects the general understanding of the poem. Finally, the commonly held view that the five transmitted stanzas do not represent the entire poem is challenged. The article concludes with some wider considerations about some of the most common assumptions regarding the nature and the fragmentary state of the Brothers Poem.
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来源期刊
Symbolae Osloenses
Symbolae Osloenses CLASSICS-
CiteScore
0.40
自引率
0.00%
发文量
2
期刊最新文献
Departments of Greek and Latin Studies in Norwegian Universities Contributors’ Addresses Editorial Note Critical Notes on Pseudo-Sisbert’s Exhortatio Poenitendi On the Authorship of Pseudo-Archilochus, Frr. 327–328 W2 (290–291 Τ.)
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