创世纪的复数形式:珍妮·迪斯基在《唯人类》中对上帝和他的话语的重新配置

IF 0.1 0 LANGUAGE & LINGUISTICS English Text Construction Pub Date : 2015-01-01 DOI:10.1075/ETC.8.2.03BER

Ingrid Bertrand

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摘要

本文致力于珍妮·迪斯基在《唯人类:一部神曲》(2000)中对圣经神话亚伯拉罕和萨拉的复调重写。它展示了这部颠覆性的小说是如何通过两种相互竞争的叙事声音——一个身份不明的人类叙述者和上帝自己——的并列，挑战通常被认为是上帝的无所不知和超越，以及他创造性话语的力量，并引发了对故事和真理的反思，从而呈现了一部“只有人类”的圣经。

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Genesis plural: Jenny Diski’s reconfiguration of God and his Word in Only Human

This article is devoted to Jenny Diski’s polyphonic rewriting of the biblical myth of Abraham and Sarah in Only Human: A Divine Comedy (2000). It shows how this subversive novel, through its juxtaposition of two competing narrative voices – an unidentified human narrator and God himself –, challenges the omniscience and transcendence usually attributed to God, but also the power of his creative Word, and launches a reflection on storytelling and truth, presenting thereby an “only human” Bible.

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