{"title":"Ton Steine Scherben:迷幻摇滚和战歌的独特混合","authors":"David Robb","doi":"10.1080/03007766.2023.2206783","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article will examine the relationship of the anarchist rock group Ton Steine Scherben to the tradition of the German battle song. After setting the group in the context of the countercultural scene of West Berlin of the 1970s, the article will identify a key battle song trait in the group's militant lyrics that, combined with the music, are geared towards inspiring direct political action rather than mere critical contemplation. In this respect parallels will be drawn with approaches to radical political song from the 1848 Revolution and the Weimar Republic.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"46 1","pages":"265 - 281"},"PeriodicalIF":1.3000,"publicationDate":"2023-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ton Steine Scherben: A Unique Hybrid of Psychedelic Rock and Battle Song\",\"authors\":\"David Robb\",\"doi\":\"10.1080/03007766.2023.2206783\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article will examine the relationship of the anarchist rock group Ton Steine Scherben to the tradition of the German battle song. After setting the group in the context of the countercultural scene of West Berlin of the 1970s, the article will identify a key battle song trait in the group's militant lyrics that, combined with the music, are geared towards inspiring direct political action rather than mere critical contemplation. In this respect parallels will be drawn with approaches to radical political song from the 1848 Revolution and the Weimar Republic.\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":\"46 1\",\"pages\":\"265 - 281\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2023-05-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2023.2206783\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2023.2206783","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Ton Steine Scherben: A Unique Hybrid of Psychedelic Rock and Battle Song
ABSTRACT This article will examine the relationship of the anarchist rock group Ton Steine Scherben to the tradition of the German battle song. After setting the group in the context of the countercultural scene of West Berlin of the 1970s, the article will identify a key battle song trait in the group's militant lyrics that, combined with the music, are geared towards inspiring direct political action rather than mere critical contemplation. In this respect parallels will be drawn with approaches to radical political song from the 1848 Revolution and the Weimar Republic.
期刊介绍:
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.