欧洲黑色惊悚片的编剧:雅克·欧迪亚艺术签名的潜台词

Isabelle Vanderschelden
{"title":"欧洲黑色惊悚片的编剧:雅克·欧迪亚艺术签名的潜台词","authors":"Isabelle Vanderschelden","doi":"10.1080/14715880.2016.1234175","DOIUrl":null,"url":null,"abstract":"Abstract This article discusses the films of Jacques Audiard from the perspective of the screenwriting process. It evaluates his work as a screenwriter, and the ways in which the development process of his screenplays can inform his cinema and distinctive style. Audiard always writes with collaborators and views the filmmaking process as a team effort. Beyond establishing his own personal signature renewal of the European thriller through complex narratives, Audiard has developed a filmmaking method in which the so-called writing stage seems to extend far beyond pre-production, to influence the shooting, and finally shape the editing process completed in post-production.","PeriodicalId":51945,"journal":{"name":"Studies in French Cinema","volume":"16 1","pages":"248 - 261"},"PeriodicalIF":0.0000,"publicationDate":"2016-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14715880.2016.1234175","citationCount":"2","resultStr":"{\"title\":\"Screenwriting the Euro-noir thriller: the subtext of Jacques Audiard’s artistic signature\",\"authors\":\"Isabelle Vanderschelden\",\"doi\":\"10.1080/14715880.2016.1234175\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article discusses the films of Jacques Audiard from the perspective of the screenwriting process. It evaluates his work as a screenwriter, and the ways in which the development process of his screenplays can inform his cinema and distinctive style. Audiard always writes with collaborators and views the filmmaking process as a team effort. Beyond establishing his own personal signature renewal of the European thriller through complex narratives, Audiard has developed a filmmaking method in which the so-called writing stage seems to extend far beyond pre-production, to influence the shooting, and finally shape the editing process completed in post-production.\",\"PeriodicalId\":51945,\"journal\":{\"name\":\"Studies in French Cinema\",\"volume\":\"16 1\",\"pages\":\"248 - 261\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14715880.2016.1234175\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in French Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14715880.2016.1234175\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in French Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14715880.2016.1234175","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2

摘要

本文从雅克·欧迪亚电影的剧本创作过程入手,探讨了他的电影作品。它评价了他作为编剧的工作,以及他的剧本的发展过程如何影响他的电影和独特的风格。奥迪亚总是与合作者一起写作,并将电影制作过程视为团队努力的结果。除了通过复杂的叙事建立起他个人对欧洲惊悚片的标志性更新之外,奥迪亚还发展了一种电影制作方法,在这种方法中,所谓的写作阶段似乎远远超出了前期制作,影响了拍摄,最终塑造了后期制作中完成的剪辑过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Screenwriting the Euro-noir thriller: the subtext of Jacques Audiard’s artistic signature
Abstract This article discusses the films of Jacques Audiard from the perspective of the screenwriting process. It evaluates his work as a screenwriter, and the ways in which the development process of his screenplays can inform his cinema and distinctive style. Audiard always writes with collaborators and views the filmmaking process as a team effort. Beyond establishing his own personal signature renewal of the European thriller through complex narratives, Audiard has developed a filmmaking method in which the so-called writing stage seems to extend far beyond pre-production, to influence the shooting, and finally shape the editing process completed in post-production.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Studies in French Cinema
Studies in French Cinema FILM, RADIO, TELEVISION-
自引率
0.00%
发文量
0
期刊最新文献
Neoliberal violence and aesthetic resistance in Abderrahmane Sissako’s Bamako (2006) Beyond a carnival of zombies: the economic problem of ‘aliveness’ in Laurent Cantet’s Vers le sud ‘Authoring’ terrorism in Aziz Saâdallah’s Le Temps du terrorisme In my own country: internal exile in Rachida and Viva Laldjérie Tracing a history of terrorism in Rachid Bouchareb’s films: London River (2009), Hors la loi (2010) and La Route d’Istanbul (2016)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1