巴伊亚的非洲种族及其习俗

Q4 Arts and Humanities Art in Translation Pub Date : 2022-01-02 DOI:10.1080/17561310.2022.2046517
Manuel Querino
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引用次数: 0

摘要

Querino的文本发表于1916年,是最早关注非裔巴西人视觉和物质文化的研究之一,同时也谴责了非洲裔巴西人的边缘化。在引起人们对巴西缺乏非洲传统知识的关注之后,他提供了有关西非和中非习俗(Querino将这些地区称为尼日尔和刚果),奴隶贸易和巴西奴隶制的信息。文本的第二部分侧重于candomblaise宗教,提供有关其神,象征,仪式,仪式空间,服装和对象的信息。Querino将雕塑与艺术的概念联系在一起。他以1835年巴西黑人起义的一节作为文章的结尾。
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The African Race and its Customs in Bahia
Abstract Published in 1916, Querino’s text is one of the earliest studies to focus on Afro-Brazilian visual and material culture, whilst also denouncing the marginalisation of Brazilian people of African origin. After drawing attention to the lack of knowledge of African traditions in Brazil, he provides information on customs in West and Central Africa (Querino refers to those areas as Niger and Congo), the slave trade, and slavery in Brazil. The second part of the text focuses on the Candomblé religion, providing information on its deities, symbolism, rituals, ritualistic spaces, garments, and objects. Querino connects sculptural objects with the idea of fine art. He concludes his text with a section on the Afro-Brazilian revolt of 1835.
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来源期刊
Art in Translation
Art in Translation Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
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发文量
16
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