Leonardo Volume 52 and Leonardo Music Journal Volume 29

CHI, SANDRA MERCEDES; and GIL, ANDRÉS FELIPE. “‘Manifiesto Manizales’ Una Experiencia Trans­ disciplinar,” Leonardo 52, No. 2 (2019). ANDERSON, CASEY, with BENT DUO. “ ‘Page 7’ from ghostses,” Audio Track, “LMJ29 Audio Companion,” Leo­ nardo Music Journal 29 (2019). AO, MENGXING, and XU, YING­QING. “Epistemic Ecology: An Artwork of Gigapixel Imagery and Ideas,” Leo­ nardo 52, No. 2 (2019). ARAUJO, PATXI. “The Trained Par­ ticles Circus: Dealing with Attrac­ tors, Automatons, Ghosts and Their Shadows,” Leonardo Special Issue: SIGGRAPH 2019 Art Papers and Pro­ liferating Possibilities Art Gallery, Leonardo 52, No. 4 (2019). ARNS, INKE. “Zero Gravity, Anti­Mime­ sis and the Abolition of the Horizon: On Cosmokinetic Cabinet Noor­ dung’s ‘Postgravity Art,’ ” Leonardo 52, No. 1 (2019). ASSI, ANTHONY. “Gaze Relations: A Critical Analysis of Human Gaze and Computer Vision,” in Special Section “Top­Rated LABS Abstracts 2018,” Leonardo 52, No. 5 (2019). ATASSI, LILAC. “Reducing the Effect of Imperfect Microphone and Speaker in Audio Feedback Systems,” Leonardo Music Journal 29 (2019). AUSTEN, KAT. “Sounding Dispersal as a Route to Empathy with the Chang­ ing Arctic,” Leonardo Music Journal 29 (2019). BAETENS, JAN. Review of Cognitive Gadgets: The Cultural Evolution of Thinking by Cecilia Heyes, Leonardo 52, No. 3 (2019). BAETENS, JAN. Review of Digital Re­ naissance: What Data and Economics Tell Us about the Future of Popular Culture by Joel Waldfogel, Leonardo 52, No. 5 (2019). BAETENS, JAN. Review of Diva Nation: Female Icons from Japanese Cultural Culture edited by Laura Miller and Rebecca Copeland, Leonardo 52, No. 5 (2019). BAETENS, JAN. Review of List Cultures: Knowledge and Poetics from Mesopota­ mia to BuzzFeed by Liam Cole Young, Leonardo 52, No. 1 (2019). BAETENS, JAN. Review of Never Alone, Except For Now: Art, Networks, Popu­ lations by Kris Cohen, Leonardo 52, No. 1 (2019). BAETENS, JAN. Review of Passwords: Philology, Security, Authentication by Brian Lennon, Leonardo 52, No. 2 (2019). BAETENS, JAN. Review of A Taste for the Beautiful: The Evolution of Attrac­ tion by Michael J. Ryan, Leonardo 52, No. 1 (2019). BAETENS, JAN. Review of Traversals: The Use of Preservation for Early Elec­ tronic Writing by Stuart Moulthrop and Dene Grigar, foreword by Joseph Tabbi, Leonardo 52, No. 3 (2019). BAETENS, JAN, and SÁNCHEZ­MESA, DOMINGO. “A Note on ‘Demedia­ tion’: From Book Art to Transme­ dia Storytelling,” Leonardo 52, No. 3 (2019). BAHR, GISELA SUSANNE; ALLEN, WILLIAM H.; BERNHARD, PHILIP J.; and WOOD, STEPHEN. “The Ar­ tificial Memory of Mr. Polly: Mem­ ory Simulation in Databases and the Emergence of Knowledge,” in Special Section “ArtScience,” Leonardo 52, No. 3 (2019). BARBER, JOHN F. Review of Designed for Hi­Fi Living: The Vinyl LP in Mid­ century America by Janet Borgerson and Jonathan Schroeder, Leonardo 52, No. 2 (2019). BARBER, JOHN F. Review of High Static, Dead Lines: Sonic Spectres and the Ob­ ject Hereafter by Kristen Gallerneaux, Leonardo 52, No. 5 (2019). BARBER, JOHN F. Review of Introduc­ tion to Graphic Design: A Guide to Thinking, Process, and Style by Aaris Sherin, Leonardo 52, No. 3 (2019). BARBER, JOHN F. Review of Success through Failure: The Paradox of De­ sign by Henry Petroski, Leonardo 52, No. 3 (2019). BERRIE, BARBARA H. “Color | Space | Time,” in “Scientific Delirium Mad­ ness 5.0” Gallery section, Leonardo 52, No. 3 (2019). BIGGS, SIMON. “Exiting the Comfort Zone: From Algorithm to Interaction in the Early Work of Simon Biggs,” in Special Section “Pioneers and Path­ breakers,” Leonardo 52, No. 3 (2019). BOGANA, ALAN. “Misinterpreting Landscape,” in “Scientific Delirium Madness 5.0” Gallery section, Leo­ nardo 52, No. 3 (2019). BRADY, SARAH ROSALENA. “Hybrid Reconfigurations,” in “Scientific De­ lirium Madness 5.0” Gallery section, Leonardo 52, No. 3 (2019). BRADY, SARAH ROSALENA. “Shape­ shifting the Colonial Object,” in Special Section “Top­Rated LABS Abstracts 2018,” Leonardo 52, No. 5 (2019). BROECKMANN, ANDREAS. “Alex Adriaansens: 1953–2018,” in Special Section “Pioneers and Pathbreakers,” Leonardo 52, No. 3 (2019). ÇAMCI, ANIL, and GRANZOW, JOHN. “Hyperreal Instruments: Bridging VR and Digital Fabrication to Facilitate New Forms of Musical Expression,” Leonardo Music Journal 29 (2019). CARREIRA, LIA. “Experimental Curat­ ing in Times of the Perpetual Beta: Strategies and Platforms for Online­ 2019 author index