Dancing with the Orixás: Music, Body and the Circulation of African Candomblé Symbols in Germany

This article explores how the body and dance play a central role in the transnationalization of Candomble among Afro-descendant people and increasingly for white Europeans by creating a platform for negotiating a transatlantic black heritage. It examines how an Afro-Brazilian artist and Candomble priest in Berlin disseminate religious practices and worldviews through the transnational Afro-Brazilian dance and music scene, such as during the annual presence of Afoxe – also known as ‘Candomble performed on the streets’ – during the Carnival of Cultures in Berlin. It is an example of how an Afro-Brazilian religion has become a central element in re-creating an idea of “Africa” in Europe that is part of a longer history of the circulation of black artists and practitioners of Candomble between West Africa, Europe and Latin America, and the resulting creation of transnational artistic-religious networks.