弦乐和管乐家排练前后音高倾向的考察

Q1 Arts and Humanities String Research Journal Pub Date : 2011-07-01 DOI:10.1177/194849921100200003
Kevin L. Droe, J. Chenoweth, S. D. Galyen
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引用次数: 2

摘要

本研究旨在探讨大学弦乐与管乐演奏家排练前后的音高倾向,并比较:(1)排练前后的音高差异;(2)弦乐与管乐演奏家的音高差异;(3)弦乐与管乐演奏家所报告的调音练习的差异。参与者包括59名大学音乐家(30名弦乐音乐家和29名管乐音乐家)。在大型合奏排练之前,所有的音乐家都要在没有调音的情况下单独录制a音乐会。音乐家们参加了一次排练,并在排练结束后立即录制了他们的音乐会a。弦乐器组和管乐器组的平均音高在排练前与排练后有显著差异。两组音乐家的平均音高水平从排练前到排练后都有所提高,尤其是管弦乐组。通过调音问卷收集的回答发现,弦乐器手报告更频繁地与他人一起调音,而管乐手报告更频繁地使用调音器。
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An Examination of before and after Rehearsal Pitch Tendencies of String and Wind Musicians
The purpose of this study was to examine the before and after rehearsal pitch tendencies of college string and wind musicians and compare possible: (1) differences in pitch before and after rehearsal, (2) differences in pitch between string and wind musicians and (3) differences between string and wind musicians’ reported tuning practices. Participants consisted of 59 college musicians (30 string musicians and 29 wind musicians). Prior to a large ensemble rehearsal, all musicians were individually recorded playing a concert A without tuning. Musicians participated in a rehearsal and again recorded their concert A immediately following the rehearsal. Mean pitches of string and wind groups were significantly different before the rehearsal compared to after rehearsal. Both groups of musicians’ mean pitch level increased from before to after rehearsal, particularly for the wind group. Responses collected through a tuning questionnaire found that string musicians reported tuning more often and with others, and wind musicians reported using a tuner more often.
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
0.40
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0.00%
发文量
9
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