兼收并蓄的风格和即兴的弦乐团表演

Q1 Arts and Humanities String Research Journal Pub Date : 2016-07-01 DOI:10.1177/194849921600700102
Martin Norgaard, Skip Taylor
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引用次数: 3

摘要

尽管有关于折衷风格和即兴演奏的教学材料和讲习班,但目前尚不清楚弦乐教师是否在学校和裁判场所的音乐会中采用这些风格和学生即兴演奏。这和其他与折衷风格相关的问题通过一种新开发的试点调查仪器进行了调查,该仪器被发送给美国弦乐教师协会的成员。总的来说,在673名来自学校和工作室老师的回应中,40.3%的人表示,在上一学年的某个时候,学生们在学校的音乐会上即兴表演,但这一数字下降到9.6%的受访者表示,在评审节日中包括即兴表演。进一步分析小学、初中和高中教师的教学水平,发现风格、教学水平和音乐会设置之间存在显著的三方互动关系。教学水平影响了音乐会中使用的折衷风格,摇滚乐和小提琴在较早的年级更常用,但仅在非裁决环境中使用。最后,一个显著的双向互动表明,在音乐会中即兴表演的使用在高年级更常见,但仅在学校音乐会环境中。
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Eclectic Styles and Improvisation in String Orchestra Performances
Despite instructional materials and workshops concerning eclectic styles and improvisation, it is unclear whether string teachers feature these styles and student improvisations on concerts in school and adjudicated settings. This and other issues related to eclectic styles were investigated through a newly developed pilot survey instrument sent to the membership of American String Teachers Association. In total, 40.3% of 673 responses from school and studio teachers indicated that students improvised in school concerts at some point during the last academic year, but this number decreased to 9.6% of respondents who reported inclusion of improvisation in adjudicated festivals. Further analyses of responses from teachers indicating elementary, middle, and high school teaching level showed a significant three-way interaction between style, teaching level, and concert setting. Teaching level influenced which eclectic styles were used in concert, with rock and fiddle more commonly used in earlier grades, but only in non-adjudicated settings. Finally, a significant two-way interaction revealed the use of improvisation in concert was more common in the upper grades, but only in school concert settings.
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
0.40
自引率
0.00%
发文量
9
期刊最新文献
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