讽喻的风景:语境中的郎景山摄影

IF 0.2 1区艺术学 0 ART ARCHIVES OF ASIAN ART Pub Date : 2016-04-26 DOI:10.1353/AAA.2016.0006

Mia Yinxing Liu

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引用次数: 6

摘要

摘要:本文将郎景山的风景摄影置于历史和政治语境中进行考察。从上海到重庆再到台湾，我们追溯了郎朗的全部作品，并研究了这些作品是如何被委托、制作和感知的。我认为朗的摄影艺术，通常被认为是不原创的，保守的，或者是脱离现实的乌托邦式的逃避主义，实际上与时代的政治和历史动荡有关。

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The Allegorical Landscape: Lang Jingshan’s Photography in Context

Abstract:This paper examines Lang Jingshan’s landscape photography in its historical and political contexts. Tracing Lang’s oeuvre from Shanghai to Chongqing to Taiwan, it also studies how the pictures were commissioned, made, and perceived. I argue that Lang’s photographic art, often considered to be unoriginal and conservative or utopian escapism removed from reality, has in fact engaged with the political and historical turmoil of the times.

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来源期刊

ARCHIVES OF ASIAN ART Multiple-

CiteScore

0.40

自引率

20.00%

发文量

期刊介绍： Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.

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