重新定义艺术场所

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Journal of Urban Culture Research Pub Date : 2011-01-01 DOI:10.14456/JUCR.2011.9
H. Schippers, H. Lancaster
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引用次数: 0

摘要

观察到创造性工作和观众行为中地点和表演之间关系的明显转变,Rede!《艺术场所》探讨了艺术家、管理者和观众是否、如何、为什么以及在多大程度上将场所视为20世纪20年代的一个重要方面。RST世纪演出经验。该研究调查了昆士兰(澳大利亚)的六个艺术组织集群,从较大的“船舶公司”到小型的区域艺术倡议。对关键艺术决策者的广泛采访,对观众的焦点小组,以及对统计数据的研究!我记得,无论他们的表演经历如何,昆士兰的观众对地点的辨别能力很强。通过这项研究发现的重要见解包括,观众越来越希望策划自己的体验,艺术家和管理人员寻求在生产价值和“灵活性”之外协商地点,以及艺术政策和资金可能尚未完全反映当前地点与表演之间的动态关系。
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Redefining Places for Art
Observing an apparent shift in the relationship between place and performance in creative work and audience behavior, Rede!ning Places for Art explored whether, how, why, and to what extent artists, administrators and audiences consider places as an essential aspect of the twenty-!rst century performance experience. The research examined six clusters of arts organizations in Queensland (Australia), from larger ‘"agship companies’ to small regional arts initiatives. Extensive interviews with key artistic decision-makers, focus groups with audience members, and a study of statistical data con!rmed that no matter what their experience with performance, Queensland audiences are highly discerning about place. Important insights uncovered through this research include an increasing desire among audiences to curate their own experiences, artists and administrators seek to negotiate place alongside production values and "exibility, and the realization that arts policies and funding may not yet fully re"ect the current dynamic relationship between place and performance.
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来源期刊
Journal of Urban Culture Research
Journal of Urban Culture Research HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
40.00%
发文量
0
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