{"title":"游戏的形成,在他者文化和话语的狂欢化之间","authors":"Tiziano Pacchiarotti","doi":"10.1484/J.EMD.5.103758","DOIUrl":null,"url":null,"abstract":"This paper discusses the medieval theatrical genre known as the jeu. The term jeu has a broad definition and encompasses texts with a wide dramaturgic diversity and different connotations. Plays included in this genre thus show significant stylistic variety and are often interlaced with other genres. However, there are also key similarities that draw these different plays together, not least in terms of their common sense of alterity and detachment.","PeriodicalId":39581,"journal":{"name":"European Medieval Drama","volume":"16 1","pages":"19-32"},"PeriodicalIF":0.0000,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1484/J.EMD.5.103758","citationCount":"0","resultStr":"{\"title\":\"La formation du jeu, entre culture de l’altérité et carnavalisation du discours\",\"authors\":\"Tiziano Pacchiarotti\",\"doi\":\"10.1484/J.EMD.5.103758\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper discusses the medieval theatrical genre known as the jeu. The term jeu has a broad definition and encompasses texts with a wide dramaturgic diversity and different connotations. Plays included in this genre thus show significant stylistic variety and are often interlaced with other genres. However, there are also key similarities that draw these different plays together, not least in terms of their common sense of alterity and detachment.\",\"PeriodicalId\":39581,\"journal\":{\"name\":\"European Medieval Drama\",\"volume\":\"16 1\",\"pages\":\"19-32\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1484/J.EMD.5.103758\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Medieval Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/J.EMD.5.103758\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Medieval Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/J.EMD.5.103758","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
La formation du jeu, entre culture de l’altérité et carnavalisation du discours
This paper discusses the medieval theatrical genre known as the jeu. The term jeu has a broad definition and encompasses texts with a wide dramaturgic diversity and different connotations. Plays included in this genre thus show significant stylistic variety and are often interlaced with other genres. However, there are also key similarities that draw these different plays together, not least in terms of their common sense of alterity and detachment.
期刊介绍:
European Medieval Drama (EMD) is an annual journal published by Brepols. It was launched in 1997 in association with the International Conferences on Medieval European Drama organised at the University of Camerino, Italy, by Sydney Higgins between 1996 and 1999. The first four volumes of European Medieval Drama (1997-2000) published the Acts of these conferences. This series of conferences was suspended for the foreseeable future in 1999. At the Tenth Triennial Colloquium of the Société Internationale pour l"étude du Théâtre Médiéval (SITM), held in Groningen, the Netherlands, in August 2001, it was proposed that EMD should be published in association with SITM. This proposal has now been approved by all interested parties, and comes into effect as of spring 2002.