观众反应的定量和定性评估

Q2 Arts and Humanities European Medieval Drama Pub Date : 2017-01-01 DOI:10.1484/j.emd.5.116047

C. Steenbrugge

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引用次数: 0

摘要

本文以2016年北安普顿《亚伯拉罕与以撒》两场演出的观众反馈为测试案例，试图突出中世纪观众反应的多样性。这些数据表明，至少这部戏剧，以及更普遍的中世纪戏剧，在现代观众中引发了广泛不同的反应。此外，中世纪的资料强烈表明，许多现代的反应与中世纪的反应非常吻合。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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A Quantitative and Qualitative Assessment of Audience Responses

This paper seeks to highlight the diversity of potential audience responses in the Middle Ages, using the audience feedback from two 2016 performances of the Northampton Abraham and Isaac as a test case. These data demonstrate that at least this play, and presumably medieval drama more generally, trigger widely divergent responses from modern audiences. Moreover, medieval sources strongly suggest that many of these modern responses map extremely well onto the medieval ones.

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来源期刊

European Medieval Drama Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： European Medieval Drama (EMD) is an annual journal published by Brepols. It was launched in 1997 in association with the International Conferences on Medieval European Drama organised at the University of Camerino, Italy, by Sydney Higgins between 1996 and 1999. The first four volumes of European Medieval Drama (1997-2000) published the Acts of these conferences. This series of conferences was suspended for the foreseeable future in 1999. At the Tenth Triennial Colloquium of the Société Internationale pour l"étude du Théâtre Médiéval (SITM), held in Groningen, the Netherlands, in August 2001, it was proposed that EMD should be published in association with SITM. This proposal has now been approved by all interested parties, and comes into effect as of spring 2002.