虚构教条还是虚构?中世纪的复活旅行

Q2 Arts and Humanities European Medieval Drama Pub Date : 2015-01-01 DOI:10.1484/J.EMD.5.110748
Jörn Bockmann
{"title":"虚构教条还是虚构?中世纪的复活旅行","authors":"Jörn Bockmann","doi":"10.1484/J.EMD.5.110748","DOIUrl":null,"url":null,"abstract":"The descensus ad inferos (descent into hell), one of the key scenes in vernacular Easter Plays, is well suited to exemplify Rainer Warning’s controversial thesis that Easter Plays are a ‘Remythisierung der Heilsgeschichte’ (remythologizing of Salvation history). This article examines, systematically, the analytical consistency of this thesis. At first, it reconstructs Warning’s terminology, and then it revises the same terminology on the basis of descent scenes in selected German plays (Easter Plays of Muri, Innsbruck, Osnabruck, and Redentin).","PeriodicalId":39581,"journal":{"name":"European Medieval Drama","volume":"19 1","pages":"137-163"},"PeriodicalIF":0.0000,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Inszenierung des Dogmas oder (Re-)Mythisierung? Christi Höllenfahrt in den Osterspielen des Mittelalters\",\"authors\":\"Jörn Bockmann\",\"doi\":\"10.1484/J.EMD.5.110748\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The descensus ad inferos (descent into hell), one of the key scenes in vernacular Easter Plays, is well suited to exemplify Rainer Warning’s controversial thesis that Easter Plays are a ‘Remythisierung der Heilsgeschichte’ (remythologizing of Salvation history). This article examines, systematically, the analytical consistency of this thesis. At first, it reconstructs Warning’s terminology, and then it revises the same terminology on the basis of descent scenes in selected German plays (Easter Plays of Muri, Innsbruck, Osnabruck, and Redentin).\",\"PeriodicalId\":39581,\"journal\":{\"name\":\"European Medieval Drama\",\"volume\":\"19 1\",\"pages\":\"137-163\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"European Medieval Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/J.EMD.5.110748\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"European Medieval Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/J.EMD.5.110748","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

复活节戏剧的关键场景之一,降人地狱,非常适合例证Rainer Warning有争议的论点,即复活节戏剧是“救赎历史的重新神话化”。本文系统地考察了本文的分析一致性。起初,它可以警告的术语,然后修改相同的术语的基础上下降场景选择德国戏剧(复活节戏剧带来过度的负载,因斯布鲁克,奥斯纳布吕克,Redentin)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Inszenierung des Dogmas oder (Re-)Mythisierung? Christi Höllenfahrt in den Osterspielen des Mittelalters
The descensus ad inferos (descent into hell), one of the key scenes in vernacular Easter Plays, is well suited to exemplify Rainer Warning’s controversial thesis that Easter Plays are a ‘Remythisierung der Heilsgeschichte’ (remythologizing of Salvation history). This article examines, systematically, the analytical consistency of this thesis. At first, it reconstructs Warning’s terminology, and then it revises the same terminology on the basis of descent scenes in selected German plays (Easter Plays of Muri, Innsbruck, Osnabruck, and Redentin).
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
European Medieval Drama
European Medieval Drama Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: European Medieval Drama (EMD) is an annual journal published by Brepols. It was launched in 1997 in association with the International Conferences on Medieval European Drama organised at the University of Camerino, Italy, by Sydney Higgins between 1996 and 1999. The first four volumes of European Medieval Drama (1997-2000) published the Acts of these conferences. This series of conferences was suspended for the foreseeable future in 1999. At the Tenth Triennial Colloquium of the Société Internationale pour l"étude du Théâtre Médiéval (SITM), held in Groningen, the Netherlands, in August 2001, it was proposed that EMD should be published in association with SITM. This proposal has now been approved by all interested parties, and comes into effect as of spring 2002.
期刊最新文献
Conspicuous Discontinuity: Theatrical Variations on the Life of Anthony in Medieval Italy and France The Long Journey of the Magi: Re-assessing ‘Liturgical Drama’ for Epiphany from Nevers Playful Performance: Gameplay and Theatre in the Early Middle Ages Henry VIII, Zeitgeist, and Charivari: Expanding the Discourse The Inner Scene of Hildegard of Bingen’s Ordo virtutum
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1