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Embodied values and ethical principles in somatic dance classes: Considering implicit motor learning
Articulating the embodied ways of knowing integral to living in the world, as a dancer, has been a long-term commitment in my own research and practice as both an artist and an educator. Consideration of how somatic practices might be integrated into the institutional structures and knowledge in higher education has led me to investigate underlying values in somatic dance and related movement pedagogies. I have been interested to extend discussion about what is valued in somatic dance education, what movement we choose to teach and for what purposes in higher education, and how we might teach movement ethically and inclusively. An initial discussion about embodied somatic values and ethical principles frames description of somatic dance classes. I then ‘massage’ particular ‘tensions’ between different pedagogical approaches including facilitated experiential, discovery-based somatic processes and motor skill learning, to offer some reflections on embodied values and ethical principles for somatic dance.
期刊介绍:
The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.