重新思考音乐合奏:高等教育音乐技术中的合作学习模式

Oded Ben-Tal, Diana Salazar
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引用次数: 6

摘要

Kudac(金斯顿大学数字艺术团体)是一个电子即兴合奏团体,每周将教职员工和学生聚集在一起,利用技术进行音乐演奏,从传统乐器到计算机,再到黑客电路板。从一开始,合奏团的核心元素就是它的民主方法-教职员工和学生一起探索音乐的可能性和挑战,并通过自由交流逐渐塑造他们的实践。在本文中,我们将考虑这个合奏团在几个重叠领域的贡献:与个别学生有关,在高等教育音乐系的背景下,以及在研究和教学的交叉点。我们首先调查了合奏团的结构和活动,并将其与笔记本电脑表演、自由即兴和音乐身份形成领域的现有研究联系起来。我们将此作为一个平台,追踪这样一个整体如何在个人和集体层面上帮助社会建设和塑造创造性身份。然后,我们在强调未来研究的领域之前,检查举办这样一个合奏的音乐系的机遇和挑战。
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Rethinking the musical ensemble: a model for collaborative learning in higher education music technology
Kudac (Kingston University Digital Arts Collective) is an electronic improvisation ensemble that brings staff and students together for weekly musicking with technology – incorporating resources ranging from conventional instruments, to computers, to hacked circuit boards. A central element of the ensemble from its inception has been its democratic approach – staff and students explore the musical possibilities and challenges together and gradually mould their practice through a free exchange. In this article we consider the contribution of this ensemble in several overlapping domains: in relation to the individual students, in the context of a higher education music department, and at the intersection of research and teaching. We first survey the structure and activities of the ensemble, contextualizing this with reference to existing research in the fields of laptop performance, free improvisation and musical identity formation. We use this as a platform for tracing how such an ensemble may aid the social construction and shaping of creative identities at both an individual and collective level. We then examine the opportunities and challenges for a music department hosting such an ensemble before highlighting areas for future study.
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来源期刊
CiteScore
1.40
自引率
0.00%
发文量
6
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