从权利中产生经验:作为传记的文化

David W. Plath
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引用次数: 6

摘要

文化并非置身于自我生活之外,而是自我生活的组成部分。这个主题是用3个例子来阐述的。(1)蒙田的《随笔》用它的作品记录了18年的自我“同质”。这个例子提出了一个问题:在许多类型的文化活动中,自述是一个主要因素吗?(2)张邦克和英格邦克这对63年未分离的“原始连体双胞胎”的生活被用来提出这样一个问题:在多大程度上,传记可以脱离生物学而被理解,或者一个人的一生可以脱离周围的生命而被理解?(3)在井上靖的《我的母亲编年史》中,一个女人对她的传记的自我理解与她的子女和孙辈对她的个人历史的理解截然不同。这里的问题是:自我理解与他人的解释在多大程度上是“同质的”?一般的建议是,在文化分析中,自我必须作为一种暂时的现象来检查,而不是作为一种个性化的、与文化其他部分分隔开的“结构”。于是,文化成为完成自我计划的机会之窗。
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Making Experience Come Out of Right: Culture As Biography

Culture is not external to the life of self but constitutive of it. This theme is elaborated by use of 3 examples. (1) Montaigne's Essays record 18 years of a self “consubstantial” with its writings. The example raises the question: Is self-inscription a major element in many types of cultural activity? (2) The lives of Chang and Eng Bunker, the “Original Siamese Twins,” unseparated for 63 years, are used to ask the question: To what extent can biography be understood apart from biology, or one life understood apart from the lives around it? (3) In Inoue Yasushi's Chronicle of My Mother, a woman's self-understanding of her biography differs radically from her personal history as construed by her children and grandchildren. Here the question is: To what extent is selfunderstanding “consubstantial” with the interpretations made by others. The general suggestion is that selfhood has to be examined, in cultural analysis, as a temporal phenomenon and not as a “structure” individuated and spaced-out from the rest of culture. Culture then becomes a window-of-opportunity for the completing of self-projects.

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