玻璃屋:居住空间、时间和历史

Q4 Arts and Humanities Crossroads Pub Date : 2022-01-01 DOI:10.15290/cr.2022.36.1.02
Tereza Topolovská
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引用次数: 0

摘要

本文介绍了英国作家西蒙·莫尔的小说《玻璃屋》(2009),这部小说以捷克共和国布尔诺为背景,是小说中对历史时期和现代主义建筑的独特文学描绘。这部小说入围了布克奖(Man Booker Prize),标志着作者职业生涯的一个转折点,激发了戏剧和电影的改编,也许更重要的是,它引发了人们对其模型——著名的图根哈特大厦(Tugendhat House)的兴趣,这是路德维希·密斯·凡德罗(Ludwig Mies van der Rohe)在1928年至1930年间建造的一座革命性的现代主义建筑。小说的叙事是由兰道尔故居及其主要居住空间——玻璃室——的中心地位决定的,它们有能力构建人物的亲密历史,以及中欧动荡的社会、政治和文化发展。《玻璃屋》的空间诗学反映了这一主题的复杂性,同时表达了现代主义建筑的关键美学和伦理关注点,并有助于小说在提供对历史和建筑的多方面洞察方面发挥作用。
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The Glass Room: Housing space, time and history
This article presents The Glass Room (2009), a novel by the British author Simon Mawer set in Brno, the Czech Republic, as a unique literary portrayal of a historical period and Modernist architecture in fiction. Shortlisted for the Man Booker Prize, the novel marked a turning point in its author’s career, inspiring both theatrical and film adaptations, and, perhaps more importantly, it sparked a resurgence of interest in its model, the famous Tugendhat House, a revolutionary piece of Modernist architecture built between 1928 and 1930 by Ludwig Mies van der Rohe. The narration of the novel is determined by the centrality of both the Landauer House and its main living space, the Glass Room, and their capacity to frame the intimate histories of the characters as well as the tumultuous social, political, and cultural developments of Central Europe. The spatial poetics of The Glass Room reflects this thematic complexity, whilst expressing the key aesthetic and ethical preoccupations of Modernist architecture and contribut-ing to the novel’s role in providing a multifaceted insight into history and architecture.
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来源期刊
Crossroads
Crossroads Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
8
审稿时长
18 weeks
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